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Screenwriting: Introducing Too Many Characters Too Quickly

WHO ARE THESE PEOPLE?

I’m just about finished the first act of a new feature length screenplay I’ve been developing for the last few months.  Before I began the second act, I wanted to take a few days and really analyze what I’ve got so far and the overall tone I’ve set for the script.

  • Is it entertaining?
  • Does it move quickly?
  • Are there any slow  or boring sequences?
  • Which characters work?
  • Which do not work?
  • Is the dialogue interesting?
  • Does each moment contribute to the story?

These questions brought up something that concerns me:

DID I INTRODUCE TOO MANY CHARACTERS?

The first 10 pages of a screenplay are vital to gain the readers interest and too many characters can make things confusing in a hurry.  How many is too many?  Does it matter as long as you’ve spread things out?

The first 10 pages of my new project introduces 17 characters.  (That number includes minor roles etc…) The way I see it, if I can make these 10 pages work, if I can establish these characters, I’m in good shape moving forward.  The issue here is the techniques used to introduce my characters.  It brings up new questions:

READ LIKE A READER NOT A WRITER

  • Is this story easy to follow?
  • Do I remember names?
  • Do some characters stick more than others?
  • Is it overwhelming?
  • Can some characters be held back?
  • Is…  It…  Entertaining?

XTRA | Be Honest…  Is Your Screenplay Entertaining?

I’ve been racking my brains trying to figure out ways to make my first 10 pages better…   In this case, my story begins at a funeral and we meet several people who are vital to the story.  Little by little, the funeral unfolds and more important characters are added in.

After a few hours of work, I think I’ve integrated these characters rather efficiently as each one moves the story forward.  However, the biggest change came when I merged two characters into one.  The result is a simpler script and a much better character overall.

IF IT SUITES THE STORY.  MAKE IT WORK.

At the end of the day, if it works it works.  I don’t think anyone will complain about too many characters if it’s easy to follow and the characters are memorable.  It’s also important to remember that it is the first 10 pages and you don’t have to introduce EVERYONE at the same time.

The minor changes I made had positive ripple effects throughout the first act and now I feel as confident as every moving forward with act 2.

Here are a couple links I found on the web on the topic of introducing new characters:

How To Introduce A Character

Most Common Mistakes Series: The Dangers of Character Overload

Screenwriting Structure Series Part 10: Your First Ten Pages & The Ordinary World

Screenwriting Mistake #45: Introducing Too Many Characters

The Basics of Introducing A Character

And here is Robert Mckee’s take on introducing new characters:

Click here for more Screenwriting Posts

The Athletic Nerd Screenwriting Blog | Top 100 Screenwriting Websites

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All Time Best: Opening Voice Over | In Bruges Opening Voice Over | Best Movie Moments

IN BRUGES
WRITTEN & DIRECTED BY MARTIN MCDONAGH

After I killed them I dropped the gun off in the Thames, washed the residue off my hands in the bathroom of a Burger King and walked home to await instructions.  Shortly thereafter the instructions came through – ‘Get the f$ck out of London you dumb f$cking c*&#%.  Get to Bruges.’  I didn’t even know where Bruges f$cking was…

…  It’s in Belgium.

All Time Best: Opening Voice Over

Opening voice overs…  So many times they become too long and wordy.  The bad ones are obvious and full of exposition.  I know because I’ve written some pretty wordy ones myself. (They are collecting dust for a reason.)  Needless to say, opening voice overs are difficult to pull off…

Many screenwriters stay away from voice overs.  The same screenwriters have probably seen Adaptation (2002) and it’s portrayal of Robert Mckee’s thoughts on the matter:

“God help you! It’s flaccid, sloppy writing. Any idiot can write voice-over narration to explain the thoughts of a character. You must present the internal conflicts of your character in image, in symbol. Film is a medium of movement and image.” (‘Adaptation’ Written by Charlie Kaufman.)

In Bruges is most definitely an exception to the ‘rule’ which are meant to be skillfully broken. (Annie Hall is another fantastic example) I’m a big fan of the versatility of voice overs but it has to be done right especially if it opens a movie.  It’s risky but it can also be unique.

Martin Mcdonagh succeeds where many have failed.  He strings a couple sentences together and perfectly captures the spirit of the movie and the main character played by Colin Farrell.

It’s a fantastic movie and a perfect example of how a simple concept can be injected full or originality, humor and entertainment in the right hands.  I’ve loaned it to so many people who skipped it.

If you skipped it, it’s worth a try.  From an aspiring screenwriter’s perspective, it’s absolutely inspiring.

Check out these links for more on Voice Overs in screenplays:

The Script Lab | When Voice Over Works

Gideon’s Screenwriting Tips | Voice Overs In Your Screenplay

The Story Department | The Great Voice Over Debate

The Script Lab | Top 10 Voice Overs In Film

All Time Best: Opening Voice Over | In Bruges Opening Voice Over | Best Movie Moments

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iPad Links For Filmmakers, Screenwriters & Movie Lovers

The iPad has changed the way we communicate, enhanced the way we share information and represents an evolution in many forms entertainment.  Movies are no exception.  Whether your a film fan watching the latest releases or a filmmaker using the iPad’s vast library of creative tools, it’s a truly  remarkable device.

Screenwriters have access to brilliant mobile apps to craft their tales.  Illustrators can create storyboards with powerful drawing and image authoring programs.  Movies can be planned, shot, edited and shared with one device. 

Directors, Producers, Designers, Photographers, Musicians…  Artists.

With the announcement of The New iPad, Apple has raised the bar for film fans with 1080p video, an amazing new Retina display and updates to their core creative apps like iMovie and Garage Band.

iPad = Creativity

FILMMAKING

What Apple’s Announcements Mean For Film Geeks

iPad 2: Good & Bad News For Mobile Filmmakers

25 Cool Ways Filmmakers can Use an iPad

Film Makers Turn to iPad for Interactive Storytelling

7 Ways the Apple iPad will affect Filmmakers and Creatives

Movie Mount turns your iPad 2 into a serious video-making machine

Make Movies With Apple iPad

Turn Your iPad Into Filmmaking Device

iPad & Filmmaking

iPad For Filmmakers, Hopefully

iPad for Filmmaking, Day Six Report

SCREENWRITING

iPad your screenplay: FDX Reader vs. GoodReader

John August and Co. Release Final Draft Script Reader for iPad

How screenwriters will use the iPad

Screenwriting. Craft a cinematic masterpiece on the iPad

What I Do With My iPad Part 3: Read Screenplays

PRE, POST, RESOURCES & MORE

What I Do With My iPad Part 1: Storyboarding

Avid Studio takes iPad video editing to the next level

10 Great Sites for Watching Video on Your iPad

Why the iPad 2 Will Be My Mobile Video Studio

Hands On With iMovie For iPad

Apple iMovie for iPad 2

APPS & APP REVIEWS

22 Filmmaking Apps for the iPad & iPhone

8 iPad Apps for Brilliant Writing

Apps For Serious Filmmakers

Top 10 iPad Apps For Student Filmmakers

iPad App Roundup: 6 Television & Movie Apps

Apps For Cinema Artists

Apps For Making A Movie

THE ATHLETIC NERD ARTICLES

Why The iPad 2 Is The Center Of My Creative Universe

Review: Celtx for iPad

Screenwriting Stuff I Carry Around Every Day

iPad & The Screenwriter

Top 6 Apps For Movie Nerds

8mm Vintage Camera Review

FINAL THOUGHTS

I use my iPad non stop.  It’s with me wherever I go.  I read book and screenplays on the bus.  I write scripts during breaks at work.  I’m constantly connected to my websites, blogs and social media account.  I watch movies, short films and documentaries.  I create.

I guess what I’m trying to say is…  The iPad is neat.

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iPad, iPad 2 review screenwriting, filmmaking, blogging, movies, indieTwo years ago, I got my iPhone and it instantly tripled my productivity by allowing me to keep up to date on my screenwriting and blogging.  I could write anywhere I wanted and I did.  Being able to craft blog posts while riding a subway actually had me looking forward to my journey to work each day.  For the last few months, I’ve been working really hard on a ton of projects in order to begin 2012 with a clean slate.  So far, it’s looking like I’ll be able to hit my deadlines and I have my iPad 2 to thank for that.

MY NEW CREATIVE COMMAND CENTRAL

I’ve had my iPad for a little over a month now and in that time, I’ve accomplished a ton.

  • -The Athletic Nerd has a whole new design with brand new content created on the much easier WordPress for iPad app.
  • -I’ve finished all the work leading up to the launch of my brand new blog which will be online later this week.
  • -I finished editing my short film thanks to notes and shot lists I created using Apple’s Pages app.
  • -I’ve also been using Pages to create outlines and breakdowns for a number of projects I’m hoping to begin next year.
  • -I’ve written 3 brand new short screenplays during my breaks at work thanks to the awesome Celtx screenwriting app.

Check out my full review of the Celtx app here.

  • -I’ve grown accustomed to using Flipboard, Twitter, Facebook and more to increase my social reach online which helps boost traffic.
  • -A full browser experience has helped me stay up to date on all the movie news that inspires me on a daily basis.

Click here to read my Top 6 Apps For Movie News

I’ve only had the device for a month and it’s changed everything.  Let’s face it, being able to read my daily news, post a new article online and revise a new screenplay before I get out of bed each morning is a nice touch.  There are a million tiny reasons why the iPad 2 is amazing but for me, it all boils down to productivity.

My biggest fear before I purchased my iPad 2 was whether or not typing would hinder me.  I’m happy to report that after a slight adjustment period, I’m firing out posts at a decent pace and hammering out new screenplay pages.  The iPad is fast, convenient (not too mention cool) and integrated easily into my life.  From a filmmaking perspective, the iPad has a number of amazing tools I plan to take advantage of whenever I begin my next project.  Until then, I’ve been having a ton of fun messing around with iMovie, the iPad’s camera and my dog.  But beyond that there are apps for every aspect of production.

Filmmaker IQ has a great rundown of 22 fantastic apps for filmmaker.

Stick figures still count for those of us who can’t draw but still need to create storyboard.

The Athletic Nerd Screenwriting Blog

When I started discussing the need for an iPad, many people (myself included) wondered if it was just a big iPhone.  I’m here to tell you it’s absolutely true and it’s wonderful in every way.  The iPhone is still my number one source of communication but when it comes to creative outbursts, I now have a tool that has everything I need to express my thoughts and share my work.

I’ve already compiled an album of graphics and posters I’ve created.  Soon, I’ll have all my movies & trailers loaded into the device to show people.  Presentations, demonstrations and conceptual meetings will never be the same again.  Indeed, it’s only been a month but my iPad 2 has taken a firm grip on my creative routine and enhanced every aspect of it in the process.  Sometimes, you just don’t have enough time at home to finish everything you had hoped to accomplish that day.  With the iPad, I’ve been able to sneak in more and more work on road trips, breaks and any other moments when inspiration strikes.

It has truly become the center of my screenwriting, filmmaking and blogging universe.

This post was written on my iPad.

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Screenwriting: My Last Line Of Defense | Screenwriting Blog

I’M AN ANXIOUS PERSON

Before I go further, I’d like to make one thing clear. I have seen the effects of anxiety attacks and depression first hand and it’s no joking matter. My anxiety is mild in comparison. But of course it still concerns me.  That feeling of concern is essentially the root of my problem.

I wake up most mornings feeling guilty and anxious for no reason at all. I’ve even had issues with my jaw because I’m so tense when I sleep some nights.  There are times when I become extremely frustrated because I really don’t have much to complain about. I’m actually a very happy person. I appreciate the things I have, the relationships I hold dear and I look forward to what the future has in store.  So why do I feel like I’ve done something wrong or that people are angry with me every day?  Why am I so anxious?

I wish I knew. I can’t tell you how many times I’ve gone back to make sure my door is locked or double checked the oven burners. (Even on days I don’t cook) I quadruple check daily so I don’t end up at work lost in my imagination wondering if someone broke in to my home and stole my dog.  I like to think that these are useful character traits because I know deep down that I’ll never leave my door unlocked or an iron plugged in. (And that my dog is safe.)

A few years ago, I finally got sick and tired of feeling that way and I told my family.  I had hidden it away for years.  Nobody knew that every time I answered the phone, I was expecting horrible news.  Or that I sometimes wrote myself long emails just to ‘talk’ to someone.  I never hit send.

I’m blessed to have such an amazing family but, to tell you the truth, hiding it from them gave me some of the tools I needed to beat my anxiety.  I’m usually able to talk myself down and in doing so, I’ve become a man who rarely gets angry.  I’m known to get frustrated from time to time but I normally make jokes to mask it.  Mild anxiety attacks like mine could easily lead to outbursts but I’ve never allowed it to escalate to that level.  This skill is the only reason people never knew that I was really an anxious person.

Recently, I’ve dealt with a terrible crisis in my life.  A situation that lead to a lot of anger and statements I’ll never forgive.  I’ve never felt true anger before and I was ashamed of myself for letting it happen. At that point, I decided to talk to a pro.  I saw a counselor for a brief period of time to talk about my anxiety and new found anger.  There was no way I was going to allow myself to become an angry person.  For years, I’d kept my stress levels down because the causes were always tiny and manageable.  Now I actually had something real causing massive amounts of stress in my life and I didn’t know how to handle it.  All I wanted to do was scream at the people responsible.  To try and wake them up to realize the horrible mistakes they were making.

Thankfully, I didn’t.  Between of my girlfriend and close family, I had enough support to back off and allow myself to calm down.  Yet, there was something else I hadn’t yet realized…

I HAD SCREENWRITING

I was in college for two years.  I basically spent my entire first year drunk at bars and social functions.  I guess you could say I had a normal college life.  It was a blast.  Every night there was another party to attend that resulted in hundreds of hilarious memories I’ll cherish forever.  However, something changed in my second year.

I realized I was terrified of graduating. I had spent my entire life telling people I wanted to work in film and television and now I actually had to do it.  I was months away from the rest of my life.  That realization was a big wake up call for me and I took action.  I worked my ass off.  I took on every single project I could.  In addition to my regular school work, I was writing on a regular basis and we started producing short films on the side.  This was the birth of 17 West Productions.

Aside from that, I started taking extra assignments in school.  The college even sent me out of town a few times.  For our ‘big’ show, we produced a 30 minute look at the CFL in Canada but we didn’t stop there.  We called in a few favors, drove to Toronto and made a 5 minute behind the scenes documentary of an actual CFL broadcast.  It took two weeks to produce 5 minutes of our half hour show.  That’s the kind of dedication we had but I wasn’t done there.

I started to teach myself web design and Photoshop.  I devoured every new piece of software I could get my hands on.  I couldn’t stop.  What people didn’t realize at the time is that I was keeping myself awake so I could work more.  I rarely slept more than 4 or 5 hours.  I even got into caffeine pills for a short time.

I skipped parties to practice editing.  I stayed home from the bars to write screenplays.  I volunteered every chance I got to gain more experience.  A workaholic was born.

I HAD A CAREER

This effort led me to my current career in television.  I started my month long work placement at Sportsnet the day after school ended with 100 hours standing between me and my diploma.  I finished those 100 hundred hours in 12 days.  I never left that studio.  I was training for two separate departments simultaneously.  I’d get to work around 8am and follow one person and at 4pm I’d switch jobs and follow another.  During down time, I sat in an edit suite and practiced.

Needless to say, I got hired and for the next 2 or 3 years I wrote as much as I could in between shifts.  I was addicted to screenwriting by that point and loved to work.

“Find a job you love, never work a day in your life.”

That became my motto.

What I didn’t realize until recently is I was also coping with anxiety.

My counselor was the first person to point it out.  I had told her in my first session that my anxiety started in college.  In my second session I mentioned how much I loved to work and all the projects I tend to put on my plate.  She made the connection.

Subconsciously, I became a workaholic to keep my mind occupied.  I didn’t realize that taking on all that work was really my way of turning off the anxiety.  It was one of those ‘huh’ moments.  Suddenly, it all made sense.  No wonder I worked so much!  I didn’t want to face the potential sadness that accompanied a bored wandering mind.

ANXIETY CHANGED MY LIFE

Looking back, it’s difficult to think about where my life would be if I wasn’t anxious.  I worked my ass off and it led to my dream career, an independent film company and a strong passion for screenwriting.  Over the years, there have been stretches of time when I didn’t write a word.  Close friends will tell you that I wasn’t very nice and I was easily frustrated by the smallest things.  I was on edge and cranky.

If I didn’t write.  I wasn’t happy.  At first I thought I felt guilty for not writing but that wasn’t the case.  I felt guilty because when I don’t write, the anxiety takes over and THEN the guilt sets in.

KNOW THYSELF. (It applies to more than just Neo.)

In the last few years, my constant need to work has calmed down.  Mainly because I live with my wonderful girlfriend now and she calms me down without trying.  I don’t think she’ll ever know how important she is to me even though I tell her everyday. (Also because she would kick my ass if I spent my time at home in front of a computer instead of spending time with her.)

Time has healed the anger I felt.  I still have rough anxiety infested mornings but most morning I wake up with an overwhelming sense of calm.  I’ve made peace with the terrible situation that 2011 ushered into my life.  The truth is, the people responsible have to wake up every single day full of anger and I feel sorry for them.  I’ve moved on.  It’s because of the support system I have and the relationships I will never take for granted.

But more than ever I know that I’ll write screenplays until the day I die regardless of any success that may or may not be in my future.  I know that feeling anxious is a part of who I am.  But it’s also played a part in shaping who I have become.

Regardless, no matter what happens, I’ll always have a blank page waiting for me.  I’ll always have screenwriting.

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