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What If Steve Jobs Was A Screenwriter? | Steve Jobs Book Review

REVEW: STEVE JOBS BY WALTER ISAACSON

“My passion has been to build an enduring company where people were motivated to make great products.  Everything else was secondary.  Sure, it was great to make a profit, because that was what allowed you to make great products.  But the products, not the profits, were the motivation…

‘Give the customers what they want.’ But that’s not my approach.  Our job is to figure out what they’re going to want before they do.” (Steve Jobs p567)

I’m an Apple fan.  For years I resisted because I felt Windows based PCs offered more of what I was looking for.  Of course, my theory was proven wrong the day I got my iMac with Final Cut Pro.  Since that day, the Apple brand has been a vital part of my creative life.

The combination of my iMac, iPhone and iPad keeps me connected to whatever project I’m working on at all times.  I write screenplays, I write blogs, I create graphics, I edit movies.  I create…  I create every day thanks to the creativity of Steve Jobs and the talented designers and engineers at Apple.

XTRA | Why the iPad 2 is the center of my creative universe.

Creative people are fueled by the creativity of others.  This is especially true when it comes to the marriage of creativity and technology.  Steve Jobs believed this to be a fundamental component of innovation.

“What drove me?  I think most creative people want to express appreciation for being able to take advantage of the work that’s been done by others before us.” (Steve Jobs p570)

When I opened the cover of Steve Jobs b Walter Isaacson, I was excited to find out more behind the iCEO himself.  When Steve Jobs passed away, the world lost a true visionary and his story fascinated me.  The book itself is absolutely incredible as it describes each and every triumph and defeat Jobs experienced.

But something interesting happened as I turned the pages…  I started relating Steve’s passion and innovation to the world of screenwriting.  Once that happened, I couldn’t put the book down.

What If Steve Jobs Was A Screenwriter? | Steve Jobs Book Review Walter isaacson

Inspiration.  Motivation. Innovation.  Creativity.  Passion.  Dedication.  Commitment.  Sound familiar?

These are the common themes throughout the book but they are also present in the hearts of creative people around the world every day.  In this way, Steve Jobs’ story goes beyond the story of a man who changed the world.  It’s about the very essence of creativity and the quest for perfection.

In my own life, I associate these themes with Screenwriting.

“We try to use the talents we do have to express our deep feelings.” (Steve Jobs p570)

If Steve Jobs was a screenwriter, he would have scrutinized every word.  Every character would be constantly tested.  Each and every description would be reworked until the image was perfected in the reader’s minds.  Steve would have paid extra close attention to the amount of white space he used.  He would have agonized over names and locations.  He would have poured his heart into every scene.  Every moment.

If Steve Jobs was a screenwriter, he would have been tireless and relentless on his quests to get his scripts produced.  If a script wasn’t successful, he would have been angry at first but then he would break it down and find ways to make it better.  He would analyze every single detail and demand better of himself.  Steve Jobs would have believed in his vision.  He wouldn’t have quit until he succeeded.  The story had to come first.

If Steve Jobs was a screenwriter he would have been passionate.  He would have been dedicated, innovative and precise.  Most of all, he would have cared immensely about the audience and how his screenplays would make them feel.

It’s an inspiring thing to read about somebody who cared so deeply about his craft.   Even better, he surrounded himself with remarkable and talented individuals.  People who made him better.  Take Jony Ive for example.  This is a designer responsible for many of Apple’s defining innovations and a visionary in his own right.

“Simplicity isn’t just a visual style.  It’s not just minimalism or the absence of clutter.  It involves digging through the depth of the complexity.  To be truly simple, you have to go really deep.” (Jony Ive p343)

It’s an interesting quote when you apply it to screenplays.  Especially during the rewrite process.  People like Jony Ive were crucial components in the execution of Steve’s ambition.  Of course, film is also a collaborative medium and while crafting a screenplay is a solo effort, a script destined for bigger things.  Steve Jobs would have not only understood this.  He would have embraced it.

Beyond anything else, Steve was never satisfied.  If he created a product that changed the world he set out to create something better or entirely new.  To me, that’s the most exciting aspect of screenwriting.  Every time you begin a new story it’s a new adventure.  A new world.  A new you.

“If you want to live your life in a  creative way, as an artist, you have to not look back too much.  You have to be willing to take whatever you’ve done and whoever you were and throw them away.” (Steve Jobs p190)

Each new story represents an evolution of your creativity.  A chance to really say something.  It’s a freedom that screenwriters crave.  It’s an addiction that takes a hold of you.

STEVE JOBS WOULD HAVE CALLED IT MAGIC

iPad Links For Filmmakers, Screenwriters & Movie Lovers

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iPad, iPad 2 review screenwriting, filmmaking, blogging, movies, indieTwo years ago, I got my iPhone and it instantly tripled my productivity by allowing me to keep up to date on my screenwriting and blogging.  I could write anywhere I wanted and I did.  Being able to craft blog posts while riding a subway actually had me looking forward to my journey to work each day.  For the last few months, I’ve been working really hard on a ton of projects in order to begin 2012 with a clean slate.  So far, it’s looking like I’ll be able to hit my deadlines and I have my iPad 2 to thank for that.

MY NEW CREATIVE COMMAND CENTRAL

I’ve had my iPad for a little over a month now and in that time, I’ve accomplished a ton.

  • -The Athletic Nerd has a whole new design with brand new content created on the much easier WordPress for iPad app.
  • -I’ve finished all the work leading up to the launch of my brand new blog which will be online later this week.
  • -I finished editing my short film thanks to notes and shot lists I created using Apple’s Pages app.
  • -I’ve also been using Pages to create outlines and breakdowns for a number of projects I’m hoping to begin next year.
  • -I’ve written 3 brand new short screenplays during my breaks at work thanks to the awesome Celtx screenwriting app.

Check out my full review of the Celtx app here.

  • -I’ve grown accustomed to using Flipboard, Twitter, Facebook and more to increase my social reach online which helps boost traffic.
  • -A full browser experience has helped me stay up to date on all the movie news that inspires me on a daily basis.

Click here to read my Top 6 Apps For Movie News

I’ve only had the device for a month and it’s changed everything.  Let’s face it, being able to read my daily news, post a new article online and revise a new screenplay before I get out of bed each morning is a nice touch.  There are a million tiny reasons why the iPad 2 is amazing but for me, it all boils down to productivity.

My biggest fear before I purchased my iPad 2 was whether or not typing would hinder me.  I’m happy to report that after a slight adjustment period, I’m firing out posts at a decent pace and hammering out new screenplay pages.  The iPad is fast, convenient (not too mention cool) and integrated easily into my life.  From a filmmaking perspective, the iPad has a number of amazing tools I plan to take advantage of whenever I begin my next project.  Until then, I’ve been having a ton of fun messing around with iMovie, the iPad’s camera and my dog.  But beyond that there are apps for every aspect of production.

Filmmaker IQ has a great rundown of 22 fantastic apps for filmmaker.

Stick figures still count for those of us who can’t draw but still need to create storyboard.

The Athletic Nerd Screenwriting Blog

When I started discussing the need for an iPad, many people (myself included) wondered if it was just a big iPhone.  I’m here to tell you it’s absolutely true and it’s wonderful in every way.  The iPhone is still my number one source of communication but when it comes to creative outbursts, I now have a tool that has everything I need to express my thoughts and share my work.

I’ve already compiled an album of graphics and posters I’ve created.  Soon, I’ll have all my movies & trailers loaded into the device to show people.  Presentations, demonstrations and conceptual meetings will never be the same again.  Indeed, it’s only been a month but my iPad 2 has taken a firm grip on my creative routine and enhanced every aspect of it in the process.  Sometimes, you just don’t have enough time at home to finish everything you had hoped to accomplish that day.  With the iPad, I’ve been able to sneak in more and more work on road trips, breaks and any other moments when inspiration strikes.

It has truly become the center of my screenwriting, filmmaking and blogging universe.

This post was written on my iPad.

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Introducing Studio Vox

March 5th, 2012 | Posted by jasonmckinnon in Filmmaking | The Post | Web - (0 Comments)

Introducing Studio Vox

THE PROFESSIONAL SOCIAL NETWORK FOR CREATIVE PROFESSIONALS

Studio Vox is preparing to launch and I’ve got 24 invites to give away to anyone looking to try out the new service.  Use the code STVX-athleticnerd to gain access to the site.  I’m currently in the process of setting up my profile.

Check out this intro video for more:

StudioVox Intro from Mazen Hijleh on Vimeo.

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Lessons Learned: Playing Through vs The Climb | Independent Film Blog

THE IMPORTANCE OF YOUR CHOSEN MEDIUM

About a year ago, I took a step back and really thought about where I want my creative career to go.  Am I a screenwriter or a director?  At the end of the day I’m neither in the professional sense.  I don’t apply for directing gigs and I still struggle to REALLY put my screenplays out there.  No, I’m a professional editor.  That’s my trade.  I work in a fast paced live television environment and I’m still addicted to it after nearly 6 years.  At work, I tell stories through highlights, reports and features.  I love it.

Still, at home, I’m a passionate screenwriter and an aspiring filmmaker.

Like any job it’s important to have a clear focus and a year ago, I felt like I lost that focus.  I was still messing around with the footage we shot for The Climb and promoting Playing Through as much as possible.  These two shorts are the focus of this post as they are the only two shorts that I wrote and directed.  I love both of those films because they taught me something very important about myself:

I don’t want to be a director anymore.  I want to be a screenwriter.

I came to this realization for two very distinct reasons.  First, I read the original screenplays for those films.  They were so much more visual than the film on the screen.  I’ve learned that I’m better describing images than making them a reality on set.  Second, during the production of both short films, I desperately wanted to write something else.  You can’t do both.  You can only focus and I fell behind on my screenwriting goals.

XTRA | Rewriting Your Screenwriting Goals

However, I’d like to take a second to make one thing clear.  I do not regret making Playing Through or The Climb.  Those films didn’t scare me away from directing.  They just made me realize how badly I wanted to write instead.  And so those two short films serve as inspiration for me now.  I learned so much by getting out there and yelling action and cut.  (Even though I felt self conscious doing so.) Directing has given me a unique perspective that has changed the way I write scripts.  But that’s a pretty generic statement to make.

So let’s get into specifics.

PLAYING THROUGH

Lessons Learned: Playing Through vs The Climb | Independent Film Blog

It’s official.  Playing Through will go down as my most successful film.  It played in three film festivals and won a few awards along the way.  Beyond anything I’m proud of the fact that people laughed and some cried.  I saw Playing Through in a packed theater once and it was both terrifying and gratifying all at once.  People laughed when I intended them to laugh.  I can’t really confirm that they cried but many have told me over the years.

The film won’t reach everyone but I sleep well knowing that it DID reach people.  I loved Playing Through.  The entire experience with the cast and crew was one I’ll never forget.  But looking back, there are still some major lessons learned.

It’s too long.  That’s the major criticism I’ve heard since we released the film.  When we realized the film was going to be close to 20 minutes long it became a concern.  But the way I wrote and directed it left little to cut out without affecting the story.  We reordered it a bit and lost a minute or two but the film is still 19 minutes long.

When it comes to writing short screenplays, you have to get the most information across as possible.  The script for Playing Through contained one major plot point per scene but I think I could have been more creative and made each page more efficient.  It would have been shorter and the pacing would have increased dramatically.

Proof that there are always lessons to take away from a project no matter how happy you are with it.

THE CLIMB

Lessons Learned: Playing Through vs The Climb | Independent Film Blog

I wrote The Climb a year before I finished the script for Playing Through.  Right off the bat, my biggest mistake was ignoring the screenwriting lessons I learned directing Playing Through.  The script was nearly 5 years old by the time we started production in May 2010.  I didn’t apply what I had learned…

However, I did rewrite the screenplay with length in mind.  The original script was 24 pages long.  The script we filmed was 16.  There were a lot of great moments in those lost pages but I was so concerned with length that I shredded it mercilessly.  When I was cutting, I did so with simplicity in mind.  We were shooting the film with basically no budget at all so I eliminated complex locations, merged scenes together so they could be filmed easier and deleted entire characters to avoid casting and scheduling conflicts.

That was a mistake.

It’s fine to edit your screenplays but this was a massive lesson that I’m thankful I learned.  When I cut those scenes, I lost sight of the story I wanted to tell.  The essence of the story is still in there but it’s a lot clearer on the page.  I wish I had gone back and stripped the story down and rewrote it entirely.

I learned the most when I was editing the film.  It becomes clear right away which lines work and which lines don’t.  I mean that from a screenwriting perspective.  I got rid of so many lines that weren’t really needed to advance the story.  That’s one of the first things you learn in virtually every screenwriting book ever published.  You have to make every line count.  EVERY WORD.  I feel like I failed in that respect because I caught so many that sounded good on the page but didn’t work on screen.  That’s not a knock against my actors.  That’s fundamental screenwriting.

Editors will agree that when a line doesn’t work, you really have to get creative to keep things moving.  Especially when it comes to continuity.  I think that’s why The Climb feels choppy in places.  From an editing perspective, I’m happy with the way the film turned out but that’s because I eliminated about 3 minutes of dialogue by the time we released it.  That’s a lot of dialogue.

It made me realize how many moments I could have saved when I was cutting scenes and characters before we started.  If only I had simplified the dialogue.  From a story perspective, the film comes across as a first act instead of a tale with a beginning, middle and end.  Actually, it’s kind of like a prologue.  On the page, I had two great characters with really interesting back stories and as the film evolved, I fell in love with those back stories and that became the focus.  A back story is supposed to lead you somewhere.  In the script, these characters changed but I don’t think it comes across in the final product.

There was a time when I planned to turn The Climb into a feature screenplay.  I wrote a great scene in a cemetery where ‘Cameron’ faces his past and it helps him.  I really can’t explain why I didn’t put that in the story.

Having said that, I do enjoy the theme of hope these characters talk about.  There is more to their dialogue than simply words that have to advance the plot.  There is subtext.  This is a lesson that’s truly important when you are shaping your creative style.  No matter what you don’t like about your films, your writing, your paintings or your music, do not let these things blind you from the things you do like.  Every creative endeavor moves you forward.

Screenwriting aside, I had so much fun working on The Climb.  It was stressful on set with weather issues and bitter cold but our cast and crew laughed together and created together.  These are experiences I wouldn’t trade for anything.

XTRA | Read about the entire production of The Climb.

MOVING FORWARD

The two films I have made are based on screenplays I wrote 6 and 7 years ago respectively.  I think that’s why leaving directing behind is so important to me.  I never stopped writing but I do not have anything recent that showcases what I can do.  Every writer gets better by WRITING.  I’m 100% confident that my work has improved but nobody knows that except for me.  I write about passion and dedication all the time on this blog but I never really follow through by sending my work into the world.  To be honest, I don’t think it’s fair to the people who read this blog regularly.  I intend to change that.

Obviously, I’m refocused now and hopefully that will change in the coming year.  It’s time for something new.  It’s the reason why I put screenwriting aside to finish The Climb and the new website.  I wanted to clear my slate.  I wanted 2012 to be the year I put the past behind me while bringing the lessons I’ve learned along for the ride.

I’m obsessed with movies, I’m addicted to filmmaking and I’m deeply passionate about screenwriting.  Most of all, I want to tell stories.

  • We are the sum of our experiences.
  • Why do we fall?  So we can learn to pick ourselves up.
  • You learn by trying.
  • Find a job you love, never work a day in your life.

These are just a few of my favorite quotes and words I live by.  But I think one quote in particular describes my personal creative journey:

There are many paths to the top of the mountain but the view is always the same at it’s peak.

At the peak of the mountain is a successful screenwriter.  I know it.  I just have to find my way up there.

Click here to check out 17west.ca and watch Playing Through, The Climb and more.  Have any thoughts on the films?  Comment below!

Lessons Learned: Playing Through vs The Climb | Independent Film Blog

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Producing A Low Budget Short Film | Independent Film Blog

50 POSTS ABOUT INDEPENDENT FILMMAKING

We filmed The Climb over a weekend in May 2010 for about $300.  It was the first project we developed after I launched this blog so there was a ton of coverage here.

There are posts about every topic including budgets, screenwriting, stories from the set, post-production, marketing, promotion, trailers, posters and more.

Now that the film is completed I thought it would be useful to gather every post in one place.  So check out the entire story of how we produced The Climb.

WATCH THE ENTIRE FILM HERE

Pre-Production

Low Budget Filmmaking: The Climb’s Budget

The Climb’s 1st Location Scout

Screenwriting: Rewriting The Climb

Meet The Cast Of The Climb

Storyboarding When You Can’t Draw

Designing The Tattoos

The Director Of Photography

First Tattoo Sketches And Tests

No Budget Filmmaking: Producing A Short Film

The Need To Edit A Movie

Improving The Screenplay

Pre-Production Day

Final Make-Up Tests

Wardrobe And Props

Rehearsing A Short Film

Tweaking Your Screenplay

Directing Short Films: The Calm Before The Storm

Making Progress

Making A Short Film: The Little Details

Final Location Scouts

It Begins!

Production

Technical Specs

Can’t Complain About Early Call Times

I Dislike People Who Honk During Filming

Destiny’s Tattoos

I Don’t Like To Hold The Camera

Rushing To Capture Footage

A Computer, Some Footage And Me

How The Weather Almost Killed Our Short Film

Directing Short Films: Playing Through vs The Climb

That’s A Wrap!

Post-Production

Editing A Short Film: Little Moments

How a dialogue heavy script became a quiet movie

Short Film Editing: Is This Scene Boring?

Tough Cuts: Letting go of a scene

Taking on the opening scene

Editing a short film you directed: The Annoying Part

Editing a short film: You have to start somewhere

I got stuck editing my short film

We Have Picture Lock

Marketing & Promotion

Short Films, After Effects & Video Copilot

The Climb’ Trailer

Planning The Trailer

A new poster for The Climb has arrived

First official still from The Climb

Does this poster sell my independent short film?

The Climb’s poster is here

Commentaries

The Climb: A Journey Ends

The Climb is finished

The Climb: One Year Later

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