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Grasping The Grade: Short Film Color Tests | Learning Apple Color | Final Cut Color Correction

I’ve got 2 scenes left to edit and some final tweaks in order to finish my new short film The Climb.  The 2 scenes in question are massively important and I was having difficulty getting them right.  Eventually, I reached a point when I simply had to take a break.  The scenes simply didn’t have the emotional impact I wanted them too convey.

I still had some spare time so I decided to take a couple shots into Color and work on the color grade.  That’s when things got really frustrating.

Since the moment we decided to shoot the film, I had a specific look in mind.  This was going to be my first attempt at grading a film myself and I was extremely excited to learn a new skill.  At work, I color correct on a daily basis but that’s more along the lines of balancing and matching shots.  I can boost levels and tweak colors with the best of them but grading and creating a unique look is relatively new for me. Not too mention I use a completely different software package at work.  It’s one thing to know the techniques but translating them from one piece of software to another can be challenging to say the least.

A while back, I registered with Lynda.com and used their software training tutorials to teach myself Color and it’s workflow with Final Cut Studio.  The course was a fantastic start and I was ready to get going.  Except the edit wasn’t ready then.

Time can be a killer when you haven’t spent much time with new software.  I should have practiced all along.  When I finally got some shots from my movie into the program I found myself lost and frustrated.  I have a basic knowledge of the program but I couldn’t achieve the look I wanted.  I couldn’t make the software do what I wanted it to do.  There were a couple presets that were close but I don’t want to settle for ‘off the shelf’ looks.  I wanted to build a look on my own.

HAVE YOU EVER LOOKED AT A NEW INTERFACE
AND FELT LOST?

It gets to a point when you feel helpless.  Like you’ll never see results.  You have to push through it. For me, the whole point was to learn a new skill!  So I dug in.  Slowly, my shots began to look a little like I wanted it to but I have a lot left to learn.

Clearly,  I won’t be able to blast through the color grading process as I had originally intended but I’m still going to reach my goal.  This movie is going to look exactly how I want it to look because I won’t settle for anything less.

As a bonus, while I was working on the color grade, I came up with a different approach for the 2 scenes that weren’t working.  Nice.

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Final Cut Pro X & Nerds

April 20th, 2011 | Posted by jasonmckinnon in Editing | Technology - (0 Comments)

Final Cut Pro X & Nerds | Editing Blog

I finally got some time to check out the official unveiling of the brand new Final Cut Pro X! I still consider myself new to the Final Cut world as I’ve only been using the software for about 3 years now.  However, I think finally getting my own copy of FCP was one of the coolest and nerdiest days of my life.

I walked into the Apple store that day with a massive grin on my face.  A half hour later, I walked out with a brand new iMac and Final Cut Studio 2.  I took the next day off work.  If you’re an editor, a nerd or both you’ll agree that launching shiny new software is a fantastic experience.

Once I got the studio installed I spent weeks exploring all the wonderful new features I had access too.  This led right into the post production of our short film Playing Through which I used to fully immerse myself in Final Cut.  I’ve been addicted ever since.

That experience led me to follow the development of major editing applications simply for the sheer joy of being an editing geek.  I love this stuff.

At work, where I edit for a living, we use Quantel and I’m all over those updates as well.  Between the two, I’m still learning new techniques and work flows every day.  I can’t get enough.

The newest version of Final Cut Pro looks awesome. You know you love editing when a statement like ’64 Bit Support that allows the software to use MORE than 4GB of RAM’ makes you smile.  Many people have expressed concern that the program looks a lot like iMovie but I think it looks pretty sweet.  Personally, I can’t wait to take advantage of the new background rendering!

I’m honestly going to watch the entire hour again at some point.  Videos like these make me want NEED to edit something.  Following the launches of new software like Final Cut Pro is nothing short of inspiring to me.

I’m so thankful I’ve got a short film to edit right now.  Not only that, it’s the busiest time of the year at work with the NHL & NBA playoffs in full swing.  Not to mention broadcasting every single Jays game this year.  I love being an editor.

Click here for a breakdown of the new Final Cut Pro X features over at CNET.

At $299 you really can’t go wrong with the new version.  I’m so excited to learn more about it.  I’m not sure if I’ll upgrade yet but the new organizational features might just push me over the edge.

If you haven’t seen the announcement check out the entire keynote below.

XTRA: Head over to ART OF THE GUILLOTINE as well for tons of editing posts and resources.

Click here for more posts on editing.

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Editing Short Films

A few weeks ago, I wrote about getting stuck editing our latest short film, The Climb.

Since then, I’ve been picking at the opening scene in between trips, shifts, weddings, writing, design and other 17 West related responsibilities.

Finally, I decided it was time to edit a few shorter scenes to get the momentum going.  The trick is to find the overall style and pacing.  Once you’ve found it, it becomes easier to make decisions and everything begins to fall into place.

Things fell into place for The Climb last week.   I’ve officially locked my first scene and we are off to the races.  It may sound minor but getting ONE scene right is crucial in the beginning stages of an edit.

I think it’s important to nail down and really fall in love with that first scene so you can carry that style throughout the film.

I’ve found a pace that works for the movie and I couldn’t be happier.

The scene in question involves the main character waking up on a park bench in pain.  I took my time and really made sure people will understand the night he had and the struggles ahead.  I’m loving it because it’s a quiet scene with only facial expressions to tell the story.

The Climb is beginning to take shape.

I enjoy being productive.

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