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So What's Up With 17WEST.CA? | Independent Film Blog

WHY IS 17 WEST PRODUCTIONS DORMANT?

Updating websites with new content and graphics is easy when it’s built on a platform like WordPress.  However, it’s extremely difficult when you’ve built the site yourself using Photoshop, Dreamweaver and Office available only on a PC that has been dead since January.

A new computer is on the horizon and there are updates coming but it will be a while yet.  That’s why pretty much all of 17 West’s updates have been exclusively published here on The Athletic Nerd.  Still, the important thing is that we are still very much developing new projects for the future and hopefully we will be able to announce something soon.  Instead of keeping a secret I’ve decided to spill a little bit today.

Sometime around September, I’m hoping to lock The Climb and release a trailer.  The film is on track to be completed by the end of 2011.  We are also developing a couple projects (Specifically Strings) with announcements coming VERY soon.  Playing Through will be released in it’s entirety online at some point as well with a special bonus I’m hoping to finish next year.

Since I’m addicted to Photoshop and such you can expect an updated look sometime in the near future as well.  The redesign will fully integrate this blog and our entire network of websites along with our various social media accounts.  In short, updates are indeed on the way with several new projects on the horizon.

That doesn’t mean there isn’t content up now!  If you have yet to visit our site, check out www.17west.ca for information on our films including trailers, posters and more.

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Standing Out Amongst The Crowd: Pitching A Short Film | Chris Nash 'Daddy Warblocks' Interview | Independent Film Blog

EXCLUSIVE INTERVIEW WITH CHRIS NASH
DIRECTOR OF THE UPCOMING SHORT DADDY WARBLOCKS

“We’re really excited to tell this story.”

Getting together all the necessary elements to produce a quality short film can be challenging to say the least. Some people save up their own money while others rely on grants and private investors. Over the last few years, the term ‘Crowdfunding’ has become popular among indie filmmakers and it rightfully should. Instead of seeking out angel investors you essentially pitch your project hoping to attract thousands of smaller investments.

I’ve featured films that were funded through ‘crowd’ sites like Kickstarter and Indiegogo in the past but now it’s time to focus on the pitch itself. In a world full of aspiring filmmakers and millions of projects to choose from, how can you ensure you will stand out amongst the crowd?

Writer/Director Chris Nash’s pitch for his new project Daddy Warblocks is attempting to do just that.

THE STORY

“Daddy Warblocks is a story about loss. Conrad has isolated himself in his home. He doesn’t sleep well and he refuses to get rid of any of his wife’s belongings. This has been going on for a long time until one day he is given a set of magical toy building bricks. Bricks he uses to build the family he was supposed to have. But you can’t just build a family and Conrad quickly discovers what can go wrong when you play with the universe.”

The story is the key and presenting it to others is absolutely crucial. You also have to demonstrate a passion for the project. Give your potential investors something to believe in. Make them believe in your passion. Of course, it all begins with a screenplay.

“Pick a human emotion, think about it and let the story come from that. I was inspired by the theme of loneliness. The largest challenge has been fitting the story within the short-film time frame. It’s really easy to expand and expand but it’s rather difficult to cut-the-fat and keep the meaning of the story present. I collaborated with Martin Anthony and Luiza Almeida, who took equal part in the writing process.”

THE HOOK

What I found fascinating about the project was the involvement of renowned LEGO Artist Nathan Sawaya. If you’re going to make a movie that centers on the creation of elaborate brick sculptures then why not go after a famous LEGO artist?

Nathan Sawaya LEGO Artist

Image from www.brickartist.com

“Nathan Sawaya got involved after I sent him the fake trailer for the film. He loved it. He actually called me eight minutes after I hit send. His enthusiasm and love for the art has proven invaluable.”

The lesson here is that you’ll never know unless you try. Take a shot and make your project stand out! Still, Chris and his team weren’t satisfied and set out to create a fake trailer for their project.

THE VISION

“The pitch for the short film was partially us working with the concept loneliness, but also partially used to try to enter a 48-hour film festival. The A3F. We didn’t get into it, but we were honorably mentioned. It was the 48 hour film festival inspired the trailer. I think otherwise we would have just made concept art.”

If you have the resources available to you, why not go for it and show people what you intend to create. Give them a hint of the tone and overall style you are attempting to achieve. It’s a fantastic option to help sell your pitch to the masses.

“The trailer came together in two days. One half-day for writing, one full-day for filming, and another half for editing. It was a quick process. We showed up at our friend Bill’s house and just did it. It took about 11 hours, 14 if you count transportation and lunch. Editing took about eight.”

Standing Out Amongst The Crowd: Pitching A Short Film | Chris Nash 'Daddy Warblocks' Interview | Independent Film Blog

THE PITCH

“No shortcuts. Nothing Is Automatic.”

This is the motto of Storybird Films, the collective production team behind Daddy Warblocks.

“The concept that there is no guarantee of anything. No audience is guaranteed to love your work, understand your work, or even pay to watch it. So we take a work-hard approach. At the end of the day, if you’re not tired, then you’re not doing it right. Get busy. Work at it every single day, and follow EVERY lead/idea people throw at you. Worst case you’re in the same boat, and best case you’re in a new boat.”

I think it’s important to keep in mind that while your story is at the center of the pitch, you have to surround it with passionate and dedicated people. So the Storybird team took all the elements they had gathered and created a sincere pitch for crowdfunding site Indiegogo.com.

Carefully developing your pitch is extremely important but it doesn’t end there. You still have to get the word out.

BEYOND THE PITCH

Crowd Funding sites like Indiegogo and Kickstarter are a fantastic resource for people to learn about your project but how do people know what to look for? You also have to put careful thought into how you will promote the pitch as well.

Social media is a key component to running an online funding campaign. Sites like Twitter and Facebook are absolutely crucial. Start with your friends and family and expand as rapidly as possible. Chris went above and beyond by emailing sites like mine. You never know unless you try right?

THE RESULT?

Daddy Warblocks is still looking for support at this very moment. Behind the scenes, the team is working tirelessly to make sure they will deliver on the promise to deliver a heart felt and touching story about loss.

“No Shortcuts. Nothing Is Automatic.”

Check out their Indiegogo page and don’t forget about the donate button as well!

Keep up to date on their progress by following them on Twitter and visiting their site www.storybirdfilms.com.

Be sure to check out Nathan Sawaya’s site as well. There are literally hundreds of INCREDIBLE pieces of LEGO art over there.

Special thanks to Chris Nash for the interview. Best of luck on the project!

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Editing A Short Film: Planning The Trailer | Editing Blog

A old friend of mine once said “Not because you could, just because you can.”  It’s impossible to explain how funny that comment was but it’s strangely perfect for this post.   You don’t always have to make a trailer for a short film.  But isn’t it fun to edit one together anyways?

The time has come to start thinking about the trailer for The Climb. I’ve been having so much fun editing lately that I started pulling out shots that I know/hope will make the trailer.

What I don’t know is how I will structure the piece.  I don’t know what tone it will have and how I will pace things out.  These are fundamental decisions you have to make when deciding how to sell your film to audiences.

XTRA: Does this poster sell my independent short film?

When I set out to create a trailer for our last short film Playing Through, I struggled with it.  The film balances humor with an extremely emotional situation and I had wanted to find a way to convey both.  There was a very fine line I had to be sure not to cross.  Too far in one direction would have led people to believe it’s a comedy.  Too far in the other direction and people would have given people the impression that the whole film is depressing.

I tried a number of approaches and in the end, I decided to somewhat separate both elements.  This way, I could introduce the two main characters and then gradually integrate the emotional story line.

What do you think?

I think I succeeded but some people still found it hard to determine what tone the movie actually has.  Is it a comedy or isn’t it?  These are all lessons I hope to apply to my new project.  Whether they are right or not it’s still something every editor should think about.  Especially when you’ve written and directed the film.

How do I show people what my movie is about?  How do I engage an audience and generate interest?

The trailer for Playing Through is nearly 2 minutes long.  That’s pretty long for a twenty minute movie.  Perhaps I should have made the trailer shorter?  These are the thoughts I constantly struggle with now as I plan my new project.

It’s important to be honest when creating a trailer.

You have to put your film out there.  How many times have you seen a trailer that was nothing like the finished movie?  You go in thinking it’s going to be an action movie and are shocked to find something different.  (Superman Returns?  Anyone?)

Having said that, I’m proud of the way I cut the Playing Through trailer but I’ll always question things.  It’s a part of my personality.  I’m a perfectionist and I’m extremely critical of my editing and writing.

So now, as I near the end of the editing phase of post production for The Climb, I find myself excited to take on a brand new trailer and introduce the film as best as I can.  I started writing notes and came up with a list of elements I want to include in the trailer that I felt would best represent the story I’m trying to tell.  Selecting these moments can be tough.  You have to leave room to try different things.  You have to be fearless and willing to start over from scratch if something isn’t working.  I’ve got a rough idea of what I want but only time will tell if the trailer will be effective.

Creating a trailer for your short film is not always necessary but as an editor it’s a blast.  I tend to find it intimidating and you may put the same pressure on yourself when you embark on such a creative journey.

But it’s vital that you get it right.  Right?

Especially when you can’t afford to hire a gigantic marketing firm with an army of researchers and creatives ready to tackle your project.

It’s all a part of the fun of making independent films.  It’s addictive.

The Climb Short Film | 17 West Productions

Click here for more editing posts.

Click here for more on 17 West Productions.

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Spring, Movies & Baseball Season | Movie Blog

THE ATHLETIC NERD CELEBRATES
THE RETURN OF BASEBALL

There’s nothing like Spring especially if you’re a life long baseball fan.  I’m a die hard Blue Jays fan so you can imagine my excitement working for a network that will broadcast, for the first time, all 162 Jays games this season. (Not to mention more than 500 total MLB games.)

For the last few weeks, producers have been preparing for the upcoming season creating promos, previews and features and I’ve had the opportunity to edit a few of those pieces.  I love my job.

With the regular season around the corner, I’ve decided to compile some of my baseball related posts for baseball AND movie fans out there.

All Time Best: Baseball Movie Moment
My personal favorite from an impressive list of incredible movies.
Click here to read.

Short Screenplays & Minor League Baseball
A look at the short screenplays you never thought could inspire you all over again.
Click here to read.

10 Flicks: Movies With Championship Games
Top 10 sports movies where it all comes down to one memorable game.
Click here to read.

A Perfect Place To Write Screenplays
How a nearby park is the perfect setting to develop a new story.
Click here to read.

Wouldn’t It Be Awesome If They Made A Base Wars Movie?
A classic Nintendo game featuring robot players waging war on the field isn’t that far fetched is it?
Click here to read.

Angels In The Outfield In Real Life
A look at a recent hockey save and how it relates to a Baseball team that receives a little ‘help’.
Click here to read.

Rainy Sundays: Field of Dreams
A look at a fantastic lazy day movie.
Click here to read.

Rainy Sundays: The Sandlot
Another incredible baseball movie all about the love of the game.
Click here to read.

Sports & Movies: It’s All About Stories
The stories we love are all around us especially in the movies and sports we love
Click here to read.

Around The Net

Here are a few more links to check out from around the web.

Best Baseball Moments | ESPN Page 2

Academy Awards For Baseball Movies | ESPN

Best Reviewed Baseball Movies | Rotten Tomatoes

4 Bases, 4 Great Baseball Movies | Anomalous Material

5 Perfect Baseball Movies In Honor of Roy Halladay | Film School Rejects

Baseball Movies | baseballmovies.com

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Kevin Smith vs The Studios | Red State | Movie Blog

WILL KEVIN SMITH CHANGE INDEPENDENT FILMMAKING
FOREVER?

Kevin Smith is right.  He definitely generated a ton of hype for the world premiere of Red State at Sundance this year with basically no cost at all.  Movie sites, bloggers, fans and critics were all talking about his plan to auction off the distribution rights after the screening.

It was a ballsy move for sure.  What if the movie didn’t connect to the audience?  Would it blow up in his face?

Little did we know, selling the rights to distribute and market his film was never his intention at all.

Here is his speech after the screening:

His intention was to prove that you could make and distribute a film for far less than the studios spend on films these days.  So he bid $20 bucks on his own movie in a symbolic gesture to prove that times are changing in the independent film world.

THE LINK: Slashfilm

INDIE 2.0

His plan is simple.  Instead of selling a 4 million dollar film to a studio who would then spend 20 million to market the flick, he would distribute the film as part of a cross country tour leading to a theatrical release he would orchestrate himself.

“It’s too much ****ing horse **it, I just want to tell ****ing stories.”

So he will take his film on the road armed with 1.7 twitter followers, his ever expanding podcasting network and the word of mouth of his loyal fans.  There have even been protests both for and against the film and it’s religious themes. It’s all free publicity for Red State in the end.  Is he on to something?

This plan has been met with mixed results.

“Why would anyone outside of Hollywood be upset if he found a way to beat the studios at their own game? But the idea that what Smith is trying to do is somehow applicable to small, independent filmmakers is complete nonsense.” Screen Junkies

“Amidst your overlong monologue of self-gratification, you mentioned that instead of having the studios pay to release your film, you were going to have us, the audience, pay you out of our pockets to fund it. Then, in passing, you quickly alluded to a crucial financial figure; for this ‘privilege’ of seeing your flick, we’d each have to pay “six, seven, ten times the price of a normal movie ticket”. (Pre-sale pricing released today confirms ticketing starts at $68.25 for nosebleeds, up to $142.70) You then defended this by adding that you’d follow the screening with a Q&A. What fanboy should (or could) drop that kind of coin to see a film? And now the question that must be asked…would Dante or Randal be able to afford that?” Joblo

Personally, I think HE can pull it off but I’m not entirely sure how that will translate to filmmakers like me who don’t have 1.7 million followers to draw attention to our films.

In all honesty, I think it’s a great idea.  I think if it works it will open a lot of doors for him.  What he is doing is creating an alternative to the studio system.  Can you make a movie without spending ridiculous amounts of money on marketing?

I think it depends on who you ask.  Take Christopher Nolan’s Inception.  That movie received a ton of marketing cash in addition to the $160 million dollar production budget.  The film went on to make more than $800 million world wide. (Boxofficemojo)

Will he ever see those kinds of numbers with his new strategy?  Does it even matter?  Again, it depends on who you ask.  Honestly, I’m looking forward to seeing how well Red State does.  He is putting a lot on the line for his first Horror film.

If people do pay large amounts of money, is it because of the film or the Q&A that will follow? What if the film fails?  Will his tour have a positive or negative effect once the film reaches theaters?

On the other hand, what if the plan works and he opens a few doors by creating  a new distribution model.  He could position himself to help and inspire a lot of filmmakers out there.  Perhaps other people will follow his lead and start championing lower budget films as well.  Perhaps indie filmmakers will be more willing to release their own films as well.

A lot of people complain about the lack of originality in Hollywood these days.  Everything depends on the bottom line.  Kevin Smith’s new adventure could lead to more and more originality on the big screen thanks to the visions of countless indie filmmakers out there that don’t have access to the studio distribution system.  He’s potentially giving aspiring filmmakers another avenue to reach an audience.

I’m pretty pumped to see where this road leads.  I hope the tour stops in Toronto eventually because I would definitely pay to see Red State before it’s proposed theatrical run in the fall.

“True independence isn’t making a film and selling it to some jack ass.”

XTRA: Kevin Smith’s Red State Inspires Indie Filmmakers

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