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Lessons Learned: Playing Through vs The Climb | Independent Film Blog

THE IMPORTANCE OF YOUR CHOSEN MEDIUM

About a year ago, I took a step back and really thought about where I want my creative career to go.  Am I a screenwriter or a director?  At the end of the day I’m neither in the professional sense.  I don’t apply for directing gigs and I still struggle to REALLY put my screenplays out there.  No, I’m a professional editor.  That’s my trade.  I work in a fast paced live television environment and I’m still addicted to it after nearly 6 years.  At work, I tell stories through highlights, reports and features.  I love it.

Still, at home, I’m a passionate screenwriter and an aspiring filmmaker.

Like any job it’s important to have a clear focus and a year ago, I felt like I lost that focus.  I was still messing around with the footage we shot for The Climb and promoting Playing Through as much as possible.  These two shorts are the focus of this post as they are the only two shorts that I wrote and directed.  I love both of those films because they taught me something very important about myself:

I don’t want to be a director anymore.  I want to be a screenwriter.

I came to this realization for two very distinct reasons.  First, I read the original screenplays for those films.  They were so much more visual than the film on the screen.  I’ve learned that I’m better describing images than making them a reality on set.  Second, during the production of both short films, I desperately wanted to write something else.  You can’t do both.  You can only focus and I fell behind on my screenwriting goals.

XTRA | Rewriting Your Screenwriting Goals

However, I’d like to take a second to make one thing clear.  I do not regret making Playing Through or The Climb.  Those films didn’t scare me away from directing.  They just made me realize how badly I wanted to write instead.  And so those two short films serve as inspiration for me now.  I learned so much by getting out there and yelling action and cut.  (Even though I felt self conscious doing so.) Directing has given me a unique perspective that has changed the way I write scripts.  But that’s a pretty generic statement to make.

So let’s get into specifics.

PLAYING THROUGH

Lessons Learned: Playing Through vs The Climb | Independent Film Blog

It’s official.  Playing Through will go down as my most successful film.  It played in three film festivals and won a few awards along the way.  Beyond anything I’m proud of the fact that people laughed and some cried.  I saw Playing Through in a packed theater once and it was both terrifying and gratifying all at once.  People laughed when I intended them to laugh.  I can’t really confirm that they cried but many have told me over the years.

The film won’t reach everyone but I sleep well knowing that it DID reach people.  I loved Playing Through.  The entire experience with the cast and crew was one I’ll never forget.  But looking back, there are still some major lessons learned.

It’s too long.  That’s the major criticism I’ve heard since we released the film.  When we realized the film was going to be close to 20 minutes long it became a concern.  But the way I wrote and directed it left little to cut out without affecting the story.  We reordered it a bit and lost a minute or two but the film is still 19 minutes long.

When it comes to writing short screenplays, you have to get the most information across as possible.  The script for Playing Through contained one major plot point per scene but I think I could have been more creative and made each page more efficient.  It would have been shorter and the pacing would have increased dramatically.

Proof that there are always lessons to take away from a project no matter how happy you are with it.

THE CLIMB

Lessons Learned: Playing Through vs The Climb | Independent Film Blog

I wrote The Climb a year before I finished the script for Playing Through.  Right off the bat, my biggest mistake was ignoring the screenwriting lessons I learned directing Playing Through.  The script was nearly 5 years old by the time we started production in May 2010.  I didn’t apply what I had learned…

However, I did rewrite the screenplay with length in mind.  The original script was 24 pages long.  The script we filmed was 16.  There were a lot of great moments in those lost pages but I was so concerned with length that I shredded it mercilessly.  When I was cutting, I did so with simplicity in mind.  We were shooting the film with basically no budget at all so I eliminated complex locations, merged scenes together so they could be filmed easier and deleted entire characters to avoid casting and scheduling conflicts.

That was a mistake.

It’s fine to edit your screenplays but this was a massive lesson that I’m thankful I learned.  When I cut those scenes, I lost sight of the story I wanted to tell.  The essence of the story is still in there but it’s a lot clearer on the page.  I wish I had gone back and stripped the story down and rewrote it entirely.

I learned the most when I was editing the film.  It becomes clear right away which lines work and which lines don’t.  I mean that from a screenwriting perspective.  I got rid of so many lines that weren’t really needed to advance the story.  That’s one of the first things you learn in virtually every screenwriting book ever published.  You have to make every line count.  EVERY WORD.  I feel like I failed in that respect because I caught so many that sounded good on the page but didn’t work on screen.  That’s not a knock against my actors.  That’s fundamental screenwriting.

Editors will agree that when a line doesn’t work, you really have to get creative to keep things moving.  Especially when it comes to continuity.  I think that’s why The Climb feels choppy in places.  From an editing perspective, I’m happy with the way the film turned out but that’s because I eliminated about 3 minutes of dialogue by the time we released it.  That’s a lot of dialogue.

It made me realize how many moments I could have saved when I was cutting scenes and characters before we started.  If only I had simplified the dialogue.  From a story perspective, the film comes across as a first act instead of a tale with a beginning, middle and end.  Actually, it’s kind of like a prologue.  On the page, I had two great characters with really interesting back stories and as the film evolved, I fell in love with those back stories and that became the focus.  A back story is supposed to lead you somewhere.  In the script, these characters changed but I don’t think it comes across in the final product.

There was a time when I planned to turn The Climb into a feature screenplay.  I wrote a great scene in a cemetery where ‘Cameron’ faces his past and it helps him.  I really can’t explain why I didn’t put that in the story.

Having said that, I do enjoy the theme of hope these characters talk about.  There is more to their dialogue than simply words that have to advance the plot.  There is subtext.  This is a lesson that’s truly important when you are shaping your creative style.  No matter what you don’t like about your films, your writing, your paintings or your music, do not let these things blind you from the things you do like.  Every creative endeavor moves you forward.

Screenwriting aside, I had so much fun working on The Climb.  It was stressful on set with weather issues and bitter cold but our cast and crew laughed together and created together.  These are experiences I wouldn’t trade for anything.

XTRA | Read about the entire production of The Climb.

MOVING FORWARD

The two films I have made are based on screenplays I wrote 6 and 7 years ago respectively.  I think that’s why leaving directing behind is so important to me.  I never stopped writing but I do not have anything recent that showcases what I can do.  Every writer gets better by WRITING.  I’m 100% confident that my work has improved but nobody knows that except for me.  I write about passion and dedication all the time on this blog but I never really follow through by sending my work into the world.  To be honest, I don’t think it’s fair to the people who read this blog regularly.  I intend to change that.

Obviously, I’m refocused now and hopefully that will change in the coming year.  It’s time for something new.  It’s the reason why I put screenwriting aside to finish The Climb and the new website.  I wanted to clear my slate.  I wanted 2012 to be the year I put the past behind me while bringing the lessons I’ve learned along for the ride.

I’m obsessed with movies, I’m addicted to filmmaking and I’m deeply passionate about screenwriting.  Most of all, I want to tell stories.

  • We are the sum of our experiences.
  • Why do we fall?  So we can learn to pick ourselves up.
  • You learn by trying.
  • Find a job you love, never work a day in your life.

These are just a few of my favorite quotes and words I live by.  But I think one quote in particular describes my personal creative journey:

There are many paths to the top of the mountain but the view is always the same at it’s peak.

At the peak of the mountain is a successful screenwriter.  I know it.  I just have to find my way up there.

Click here to check out 17west.ca and watch Playing Through, The Climb and more.  Have any thoughts on the films?  Comment below!

Lessons Learned: Playing Through vs The Climb | Independent Film Blog

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Get Your Short Film Into Big Festivals | Independent Film Blog

INTERVIEW
TIFF SHORTS PROGRAMMER MAGALI SIMARD

Aspiring filmmakers who produce short films usually have one goal in mind.  Festivals.

One of the biggest festivals in the world is the Toronto International Film Festival.  A massive gathering of some of the biggest stars, filmmakers and the up and coming artists of tomorrow.  Getting your short film into a major festival like TIFF can be absolutely huge for people trying to make their mark in the industry.

But what does it take to get your film accepted?  What do selection committees and programmers look for?

As an independent filmmaker myself, I decided to find out what it takes to get a short film into TIFF.  So I contacted the festival and was granted an interview with Magali Simard.  It’s her job to help decide which films are accepted into the prestigious festival so there is no better person to ask.  Her wonderful responses offered a unique look inside the process including a number of great tips and helpful advice.

So how do you get your short film into a major festival?

Here is an exclusive sneak peak behind the scenes from someone who has seen a TON of shorts and knows what it takes to get accepted.

Special thanks to Magali Simard and TIFF.

Can you briefly summarize the overall selection process for short films?

The Festival is in September, and filmmakers get to submit to us between February and May, by filling our form online through Withoutabox and sending us their films. We make our decisions in July and announce our selection in August.

What’s the first thing you look for in a short?

Maybe it goes without saying, but we look for excellence! Some films achieve high levels of production value, but if the content isn’t there, it just isn’t. It’s about artistic value, originality, execution. We see over 600 short films in couple months, so a film needs to stand out.

What are the most common mistakes filmmakers make?

There are so many steps to making a film – things can go wrong on so many levels. I’d say a recurring mistake is overwriting. The image usually conveys enough. It’s important to trust that the audience will be able to understand and absorb things without having to hammer it over and over.

In your experience, what is the ideal length of a short?

It really depends on the subject. The best run time is the one that is appropriate for what the film needs to achieve. Cutting back is hard for filmmakers, it’s their material and it’s hard to let go of some of it during the editing process. This past Festival we had a 1:30-minute short, and a 30-minute short. They were both wonderful, and time-appropriate.

Does a movie shot on film have a better chance of being accepted than one shot on a lower quality format?

 

Certain subjects are rightfully approached with a less polished look, and it serves them well. There’s something to be said about the ever changing formats people use.  Just about anyone can make a film, and it creates a ton of new content. Some great, some not at all, but the bigger the pool of production, the more chances good things can come out of it. Nothing should be limiting people from going ahead with their projects.

What would you say is the number one reason that a film is rejected?

Some films nearly make it, we have a certain amount of slots, and it’s heartbreaking to reject some excellent work, but it’s the nature of the beast. Others are not close to making it, of course. Films fail to impress for as many different reasons as they succeed. Concept, plot, character, and aesthetic – you basically need everything to come perfectly together. Yes, bad production can hurt a film, but so can a bad script, bad dialogue, untimely editing, choppy acting, etc.

Each festival usually asks for a submission fee which can add up quickly for many indie filmmakers.  Would you say it’s better to enter only the biggest festivals, the smaller festivals or a combination of both?

For short films, the Festival circuit is vital. So I suggest investing in those submissions but it’s not about submitting just anywhere – there thousands of festivals. Filmmakers should research the places they submit to and see the kind of selection they usually tend toward. Some festivals are more niche and that can be an advantage depending on the film at hand.

What advice would you give aspiring filmmakers before they begin their projects? What would you say to those who have submitted their films but have yet to be accepted?

Keep on submitting. Having your film(s) seen by programmers is invaluable. As a programmer, I want to follow filmmakers’ careers, see what they are up to, how they develop from year to year. Without the submissions, it’d be nearly impossible to track so many. Also: you can have a word with programmers after the submissions process to get some feedback. And festivals talk to each other, and if your name’s not out there, it’s kind of impossible to have it discussed. Keep’em coming.

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Rookie Photoshop For Movie Nerds | Movie Blog

These days, you have to be able to promote your films online.  It’s impossible not to.  You don’t need a massive budget to have websites, blogs, twitter accounts, Facebook updates, Youtube videos, posters, artwork and more for your films.  It’s a free and effective way to get yourself out there.  When it comes to promotional materials, you can do a lot with very little.  The only thing you really need is a vision, a copy of Photoshop (or a graphic designer friend) and a lot of patience while you learn.

Years ago, I decided to teach myself Photoshop.  I wanted to create websites, posters and other related promotional materials for 17 West’s projects.  What started as a simple website soon turned into 4 including a blog that would promote them all.

That’s when my addiction started.  Each new item needed to have a logo or an image attached.

But I’m not a graphic designer.  So I had to rely on tutorials, books and blogs about design to see what was possible.

Obviously, all the research and practice paid off as I’m confident that my design work doesn’t suck.  I’m not saying I’m a pro because I’m not.  I don’t know color theory or overall composition techniques.  I don’t really consider things like balance and other rookie mistakes designers make.

But I know enough now to create images that help direct people to the content I want them to see.

It all starts with a challenge.

Find something you like and try to duplicate it.  You’ll never know unless you try!

The image below is from a hockey game I was watching recently.  I liked the look of the image and decided to see if I could make one myself.  The result is my new Movies image above.  I think I got it pretty close.

However, it’s not enough to simply copy another designer’s work.  What’s the point if you don’t bring anything original to it?

So while the Movies image is pretty close, I took the new techniques I learned and applied it to this image:

The Athletic Nerd Movie Reviews

And this one…

The Athletic Nerd Movie Blog Wouldn't It Be Awesome

And this one…

17 West Productions Independent Film Updates

These new banners are another leap forward for me in terms of techniques and overall detail.  My work is getting more and more realistic but I still believe I can be better.

Who knows what image will inspire me next.   I’m always on the lookout for something new to try.  Especially when 17 West isn’t in production on a new film. (That’s going to change pretty quickly though)

If you don’t have a home on the internet to show off your work and can’t afford to pay someone to do it for you I recommend the following.

1. Start a blog

You don’t need a heavy background in web development to get a site online these days.  I recommend WordPress and a good free theme to get you started.

2. Customize

Make it your own.  Look at other movie blogs for examples.  Set yourself a part from the rest.  Be unique.

3. Learn Photoshop

You don’t need a course.  All you need is an internet connection to access tutorials and a little dedication.  It’s frustrating at first when your images don’t turn out the way you hoped but power through it.  Eventually you’ll surprise yourself.

4. Find inspiration and run with it.

Continue to learn new techniques and apply it to new film projects you are working on.

5. Repeat Step 4 keep evolving!

I’ve been addicted to Photoshop for about 5 years now.  Recently, I started reading Advanced Photoshop Magazine and realized just how much more there is to learn.  To some that would seem daunting but I think it’s exciting.

6. Don’t Forget Your Movies!

I’ve spent the last few days messing with Photoshop but it’s time to switch gears back to Screenwriting.  These skills are worthless if you don’t have anything to promote!

Further Reading:

Photoshop: A Cure For Writer’s Block?

Creating Concept Art For Your Screenplay

Does This Poster Sell My Independent Short Film?

2010 Web Design Recap: Promoting Your Films Online

Photoshop & Low Budget Short Films

The Beginner’s Curse: Website Redesigns

The Evolution of the 17 West Logo

http://jaymckinnon.com/blog/filmmaking/does-this-poster-sell-my-independent-short-film
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2010 Web Design Recap: Promoting Your Films Online

2010 was a busy but fun year when it came to the wonderful world of web design.

I still consider myself a novice designer but I’m proud of the knowledge I’ve gained and the way my sites have evolved.

I have a lot left to learn but the 17 West Network of web sites have never looked or functioned better.

At the end of the day, the sites HAVE to promote our films and I think the new designs reflect that.  There is no point to introducing a flashy new design if it doesn’t accomplish what it’s supposed to.

Each site has a specific purpose.  At the beginning of 2010, I set out to define that purpose and the sites grew from there.

It started with the redesign of ERICGAMACHE.COM

Click here to read more about the launch.

The simple design is meant to highlight Eric’s directing and producing skills.  His site was never meant to be based on daily content so I was free to design something simple.

While I built the design in Dreamweaver, I learned a lot about organization and coding.  I got better at planning my designs so I could build them efficiently.

This was an eye opening lesson because my next project would be a massive amount of work.

The New 17WEST.CA!

Click here to read more about the launch.

17 West Productions Toronto Production Company

It was bound to happen sooner or later.  I avoided it as long as I could but I knew that 17west.ca was going to have to be rebuilt from scratch.

I had spent more than a year updating the graphical look but never stopped to consider what I REALLY needed the site to be.  Originally, it was going to be the home of our films and my own personal blog.

This was before I knew how incredible content management systems were. (Like I said, I’m still new to this.)

I made the decision late in 2009 to separate my blog from the site and The Athletic Nerd was born.

While this was a fantastic decision, I was left with a broken 17 West Home page that didn’t fully integrate with our other sites.  It lacked functionality.  It lacked updates.

So I started over and now, 17WEST.CA is better looking, loads faster and most importantly, it promotes our movies better.

When you reach our home page you have no other option than to dig deeper and learn more about our projects. (I hope.)

Not only that, I’ve added in countless ways to learn more through this blog.  They compliment each other nicely now.

I was left with a problem…

My own portfolio site suffered from the same problems…

The New JAYMCKINNON.COM

Click here to read more about the launch.

My final mission of the year was to finish updating our third site with blog integration and all the other lessons I learned throughout the year.

You Learn By Trying

The result is 3 brand new websites that work together to provide as much information as possible to those who seek us out.

It’s insane to think about all the design work I had to do in addition to updating this blog everyday WHILE writing new projects AND editing our latest short film…

It was a lot to balance but thankfully, 2011 will be a quiet one when it comes to web design.

My focus is now completely on creating new films so these new sites have something to promote.

The infrastructure is complete.  It’s time to see this network in action.

Bring on 2011!

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The New WWW.JAYMCKINNON.COM!

December 10th, 2010 | Posted by jasonmckinnon in 17 West | Design | Technology | Web - (0 Comments)

Finally, I’m happy to say I’m finished with redesigning websites for a while.

In the last year, I’ve now completely redesigned all of our websites while continually updating The Athletic Nerd.

Visit the new look www.17west.ca here
Visit the new look www.ericgamache.com here

The final step was refreshing www.jaymckinnon.com.  The site is the main home of The Athletic Nerd but also showcases my own projects as well as 17 West Productions upcoming films.

The new look is fairly similar to the old but a lot cleaner and easier to navigate.  It’s also a lot easier to contact me with the new social bar located at the top of the page.  All in all, I think it’s a lot better and DEFINITELY loads faster than the previous version.

I’ll have a full web design recap as part of my 2010 Year End series which begins next week.

Click the preview image below to check out the site and let me know what you think!

jaymckinnon.com jason mckinnon professional editor independent filmmaker, screenwriter

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