Movies, Screenwriting & Independent Film
Header

The Screenwriter's Zone | Screenwriting Blog

SOMETIMES, YOUR FINGERS CAN’T KEEP UP

The Zone is elusive and cunning.  It’s stealthy and mysterious.  It’s extremely difficult to capture but it’s magical when you do.

Screenwriter’s have all been there before.  You sit down and stare at a blank page and everything makes sense.  You know exactly what to do, how it sounds and what it will look like.  You can envision the action, the dialogue and the spirit of your characters.

Before you know it, a couple hours have passed and your wrists ache as you type.

IT’S ALWAYS A BLUR

It’s the creative black out.  You can’t really remember how it happened but you’ve written something you’re proud of.  At this point, readers don’t mean anything.  It’s just you, your words and the satisfied smile on your face.

But what happened?  What was it that made the words come so easily?  How was this particular day different than any other?  That’s what makes The Zone so amazing.  You can’t predict it.  It sneaks up on you.

XTRA | The Screenwriting All-Nighter

Essentially, it’s nothing more than a steady flow of ideas.  One leading to another.  The story in your mind clicks and you can’t wait to write it down.  So your fingers move along the keyboard.  You get that excited feeling in the pit of your stomach.  It’s an feeling screenwriter’s crave.  Once you’re there, it’s nothing but pure creativity.

SNAPPING OUT OF IT

It’s always a little sad when the creative outburst ends but it’s worth it.  You sit back in your chair wondering how you lost track of time for so long.  How you thought of that great moment on page 12.  How your characters made you laugh or cry.

The Zone.

From a screenwriting perspective, I can’t think of a better way to spend a couple hours.

Share This:
  • Facebook
  • Twitter
  • Digg
  • Google Bookmarks
  • del.icio.us
  • StumbleUpon
  • Add to favorites
  • Reddit
  • Tumblr
  • email
  • LinkedIn
  • RSS

The Screenwriter's Window Stare | Screenwriting Blog

SOMETIMES A SCENIC PAUSE IS ALL YOU NEED

While working on my new screenplay, I found myself writing a scene that was working but it wasn’t quite… there.  It was interesting but it was missing something.  Ironically, that also happens to be the same criticism that makes screenwriters cringe.

“It’s missing…  Something…  I don’t know what it is but…  I don’t know just…  Something.”

It’s easy to probe the reader for more on what might be missing but when you feel that way it’s tough.  You have to discover the answers on your own.  I found my answer looking out the windows next to my desk.

I’m fortunate enough to live in an apartment with a fairly fantastic view.  It’s not spectacular by any means but it’s gorgeous compared to the garbage cans I stared in my previous home.  The main living area has wall to wall windows that overlook a highway that winds over and around a huge park.

I wheeled my chair over to the window and stared, thinking about the scene and the missing piece that eluded me…  Staring out the windows was peaceful and calm.  As time passed, I just worked it out in my head.

I found the answer in the way the scene began or more specifically, the transition between my new scene and the previous sequence.  I came up with a better way to make the transition more seamless.  It forced me to start the new scene later.  (Which is almost always a good thing.)  It made the scene more exciting and within an instant, everything clicked.  It felt write.  Finding the missing piece simply required a perfect mixture of calmness, creativity and a good view.

There are always pauses when you’re writing a screenplay.  Whether you are trying to come up with the perfect line of dialogue or a describing a difficult action sequence, there are always ponder moments.   Moments when you challenge your imagination to come up with that something that’s missing.  Something that clicks.  Something better.

Some days, the answers come easy.  For the days they don’t, I’m happy I have my window.  The answers are usually out there somewhere.

Click here for more Screenwriting.

Share This:
  • Facebook
  • Twitter
  • Digg
  • Google Bookmarks
  • del.icio.us
  • StumbleUpon
  • Add to favorites
  • Reddit
  • Tumblr
  • email
  • LinkedIn
  • RSS

Screenwriting: Introducing Too Many Characters Too Quickly

WHO ARE THESE PEOPLE?

I’m just about finished the first act of a new feature length screenplay I’ve been developing for the last few months.  Before I began the second act, I wanted to take a few days and really analyze what I’ve got so far and the overall tone I’ve set for the script.

  • Is it entertaining?
  • Does it move quickly?
  • Are there any slow  or boring sequences?
  • Which characters work?
  • Which do not work?
  • Is the dialogue interesting?
  • Does each moment contribute to the story?

These questions brought up something that concerns me:

DID I INTRODUCE TOO MANY CHARACTERS?

The first 10 pages of a screenplay are vital to gain the readers interest and too many characters can make things confusing in a hurry.  How many is too many?  Does it matter as long as you’ve spread things out?

The first 10 pages of my new project introduces 17 characters.  (That number includes minor roles etc…) The way I see it, if I can make these 10 pages work, if I can establish these characters, I’m in good shape moving forward.  The issue here is the techniques used to introduce my characters.  It brings up new questions:

READ LIKE A READER NOT A WRITER

  • Is this story easy to follow?
  • Do I remember names?
  • Do some characters stick more than others?
  • Is it overwhelming?
  • Can some characters be held back?
  • Is…  It…  Entertaining?

XTRA | Be Honest…  Is Your Screenplay Entertaining?

I’ve been racking my brains trying to figure out ways to make my first 10 pages better…   In this case, my story begins at a funeral and we meet several people who are vital to the story.  Little by little, the funeral unfolds and more important characters are added in.

After a few hours of work, I think I’ve integrated these characters rather efficiently as each one moves the story forward.  However, the biggest change came when I merged two characters into one.  The result is a simpler script and a much better character overall.

IF IT SUITES THE STORY.  MAKE IT WORK.

At the end of the day, if it works it works.  I don’t think anyone will complain about too many characters if it’s easy to follow and the characters are memorable.  It’s also important to remember that it is the first 10 pages and you don’t have to introduce EVERYONE at the same time.

The minor changes I made had positive ripple effects throughout the first act and now I feel as confident as every moving forward with act 2.

Here are a couple links I found on the web on the topic of introducing new characters:

How To Introduce A Character

Most Common Mistakes Series: The Dangers of Character Overload

Screenwriting Structure Series Part 10: Your First Ten Pages & The Ordinary World

Screenwriting Mistake #45: Introducing Too Many Characters

The Basics of Introducing A Character

And here is Robert Mckee’s take on introducing new characters:

Click here for more Screenwriting Posts

The Athletic Nerd Screenwriting Blog | Top 100 Screenwriting Websites

Share This:
  • Facebook
  • Twitter
  • Digg
  • Google Bookmarks
  • del.icio.us
  • StumbleUpon
  • Add to favorites
  • Reddit
  • Tumblr
  • email
  • LinkedIn
  • RSS

All Time Best: Opening Voice Over | In Bruges Opening Voice Over | Best Movie Moments

IN BRUGES
WRITTEN & DIRECTED BY MARTIN MCDONAGH

After I killed them I dropped the gun off in the Thames, washed the residue off my hands in the bathroom of a Burger King and walked home to await instructions.  Shortly thereafter the instructions came through – ‘Get the f$ck out of London you dumb f$cking c*&#%.  Get to Bruges.’  I didn’t even know where Bruges f$cking was…

…  It’s in Belgium.

All Time Best: Opening Voice Over

Opening voice overs…  So many times they become too long and wordy.  The bad ones are obvious and full of exposition.  I know because I’ve written some pretty wordy ones myself. (They are collecting dust for a reason.)  Needless to say, opening voice overs are difficult to pull off…

Many screenwriters stay away from voice overs.  The same screenwriters have probably seen Adaptation (2002) and it’s portrayal of Robert Mckee’s thoughts on the matter:

“God help you! It’s flaccid, sloppy writing. Any idiot can write voice-over narration to explain the thoughts of a character. You must present the internal conflicts of your character in image, in symbol. Film is a medium of movement and image.” (‘Adaptation’ Written by Charlie Kaufman.)

In Bruges is most definitely an exception to the ‘rule’ which are meant to be skillfully broken. (Annie Hall is another fantastic example) I’m a big fan of the versatility of voice overs but it has to be done right especially if it opens a movie.  It’s risky but it can also be unique.

Martin Mcdonagh succeeds where many have failed.  He strings a couple sentences together and perfectly captures the spirit of the movie and the main character played by Colin Farrell.

It’s a fantastic movie and a perfect example of how a simple concept can be injected full or originality, humor and entertainment in the right hands.  I’ve loaned it to so many people who skipped it.

If you skipped it, it’s worth a try.  From an aspiring screenwriter’s perspective, it’s absolutely inspiring.

Check out these links for more on Voice Overs in screenplays:

The Script Lab | When Voice Over Works

Gideon’s Screenwriting Tips | Voice Overs In Your Screenplay

The Story Department | The Great Voice Over Debate

The Script Lab | Top 10 Voice Overs In Film

All Time Best: Opening Voice Over | In Bruges Opening Voice Over | Best Movie Moments

Share This:
  • Facebook
  • Twitter
  • Digg
  • Google Bookmarks
  • del.icio.us
  • StumbleUpon
  • Add to favorites
  • Reddit
  • Tumblr
  • email
  • LinkedIn
  • RSS

Introducing Studio Vox

March 5th, 2012 | Posted by jasonmckinnon in Filmmaking | The Post | Web - (0 Comments)

Introducing Studio Vox

THE PROFESSIONAL SOCIAL NETWORK FOR CREATIVE PROFESSIONALS

Studio Vox is preparing to launch and I’ve got 24 invites to give away to anyone looking to try out the new service.  Use the code STVX-athleticnerd to gain access to the site.  I’m currently in the process of setting up my profile.

Check out this intro video for more:

StudioVox Intro from Mazen Hijleh on Vimeo.

Share This:
  • Facebook
  • Twitter
  • Digg
  • Google Bookmarks
  • del.icio.us
  • StumbleUpon
  • Add to favorites
  • Reddit
  • Tumblr
  • email
  • LinkedIn
  • RSS