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What 'The Matrix' Screenplay Taught Me

Many years ago, when I first started devouring screenplays, I purchased The Matrix: The Shooting Draft.

That day, I brought it home and immediately dove in.  A couple hours later, my outlook on screenwriting had changed forever.

The Wachowski Brothers’ script literally redefined the way I looked at writing screenplays.

What The Matrix Screenplay Taught Me

Why?

Clarity & Detail

A movie as complicated as The Matrix has to carefully tow the line between originality and confusion.

When you are creating something that no one has ever seen before, it can be easy to assume that people will know what you are talking about.

I wrote a movie a while back that was heavily based on my own sense of humor and inside jokes that only my circle of friends understood.  I wanted to see if they would work on screen and truthfully, while it did work, it was a lot harder to articulate in the script.  Once we were on set, I could do impressions and show the actors what I wanted but it still has to work on the page.

Imagine how challenging it must have been for the Wachowski brothers to describe their cyber-hacking action film.  Everything had to be clear in their minds and then expressed in writing.  Not an easy task to accomplish.

Clarity

INT. COMPUTER SCREEN

On a computer screen; so close it has no boundaries.

A blinking cursor pulses in the electric darkness like a heart coursing with phosphorous light, burning beneath the derma of black neon glass.

Got an image in your mind?

Neo raises his hands and the bullets, like a cloud of obedient bees, slow and come to a stop.  They hang frozen in space, fixed like stainless steel stars.

What The Matrix Screenplay Taught Me

The brothers really do have an incredible way to describe the world of The Matrix. I truly wish I had the opportunity to read the screenplay before I saw the movie just to see how close my imagination was to their ultimate vision.

Every single line in the film is useful.  Such an imaginative script could have gotten lost in exposition but it’s paced so well.  Each clearly developed idea building on the one before.  Each page showing you more and more.

Above all else, it’s entertaining.  Forget the movie for a second.  The screenplay itself is an entertaining read.

They are so clear about what you are seeing.

A light bulb went off in my head.  It was time to really think about how I communicate my vision to the reader.  It was time to put more thought into how I describe the worlds I want to see on screen.  Hopefully, it will be entertaining.

Detail

You really don’t have a ton of space on the page to get your movie out of your mind.  With so little real estate you need to make the most of it.

Yet their is a balance between minimalism and detail.

True, you can’t spend half a page describing a new location but you do have to carefully select which elements NEED to be included.

The Wachowski’s screenplay does this masterfully.  Each and every detail you need to know about is on the page.  There isn’t a single line of fat to trim.

This is one of the most important skills a screenwriter has to learn.

The more original details you put into your screenplay, the richer the experience for the reader.

Show them something new but do it with as little words as possible.

This was another eye opener for me.

Once I finished the script I immediately printed out my latest draft and restarted.  I was still new to the screenwriting craft and every lesson I learned was so epic and wonderful that I owed it to myself to apply it.

The Matrix was definitely a turning point in my screenwriting and filmmaking career.

I felt so inspired after reading the amazing script.  It’s a feeling I chase everyday.  It fuels my need to learn and push myself to become a better screenwriter.

Awesome screenplay.

PS: Find out how the film itself changed the way I looked at movies forever.

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The Athletic Nerd Screenwriting Blog

Over the years, I’ve read a lot of books on screenwriting.  When I sat down in front of my bookshelf to decide which 10 mattered most to me, I had a lot of trouble.

There are so many books out there that are valuable resources to the aspiring screenwriter.

So I decided to base my list on the books that truly inspired me to write.  (Much like I did with my 10 yearly favorites post)

I’ve read many of these several times and I highly recommend them all to anyone out there looking for great books on screenwriting.

Here they are in no particular order:

Screenwriting From The Soul by Richard Krevolin

Instead of teaching fundamentals, formatting or proper structure, Krevolin creates a conversation between student and mentor based on WHY we write screenplays.  I wrote him an email when I finished his book and he wrote me back.  That was pretty cool too.

Real Screenwriting by Ron Suppa

An amazing Book.  Check out my review here.

How NOT To Write A Screenplay by Denny Martin Flinn

I recommend this book to anyone who has just completed a first draft.  There are so many tips (101 to be exact) that many tend to overlook.  Myself included.

Read a complete review of the book here.

Save The Cat by Blake Snyder

A fantastic book.  The only one in the series I’ve read so far.  The others are on my list.

Power Screenwriting by Michael Chase Walker

When I was in University, I was writing a basketball story called Behind Max.  I had just completed the first draft when I got this book from the library.  When I was done, I began a page one rewrite of the script to apply what I had learned.

Alone In A Room by John Scott Lewinski

Another subway book I read recently.  Eventually, I only read on the ride home so I could actually write instead of having to wait.

Crafty Screenwriting by Alex Epstein

I probably read this book the fastest out of all of them.  Reading this book back to back with Power Screenwriting is an excellent double dose of screenwriting awesomeness.

Screenwriting From The Heart by James Ryan

James Ryan’s book is definitely up there with the best I’ve ever read.

Psychology For Screenwriters by William Indick, Ph. D.

This one is pretty much a psychology text book.  I happen to be very interested in psychology so I regularly refer to these pages for guidance while I’m writing.

More to come…

There are notable absences from my list such as Story by Robert Mckee or books by Syd Field or Tom Lazarus.  I could go on and on.

Any books I’m missing? I’m always looking for new ones.  It’s gotten to the point where there are few I haven’t read.

Comment if necessary.

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Era 7: A Screenwriter Evolves

September 1st, 2010 | Posted by jasonmckinnon in Screenwriting - (0 Comments)

Era 7: A Screenwriter Evolves

September 1st.

My personal screenwriting year end.

It’s an extremely important date on my calendar because it gives me a chance to reflect on what I’ve accomplished and set some goals for the new year.

This will be the seventh anniversary of this holiday and I consider it a new era.

Era 7 has begun.

It sounds strange to number each era but I feel like each year should be a leap forward.

New year.  New goals.

It’s time to evolve.

Like every September 1st, I go back and review literally everything I’ve written as well as everything I didn’t.  This year is especially important because I really didn’t write that much.  I spent a lot of the last year and a half being a director with Playing Through completed and The Climb in post.

Sadly, directing those films in addition to my career left me with little to no time to write.

Until a few months ago when we wrapped The Climb.

I suddenly realized I had regained my free time.  Screenwriting had returned and with it, a new focus.

Era 7 is going to be my most productive to date. You can only truly call yourself a writer if you shut up, sit down and write screenplays.

Before I get to next year, it was time to reflect on the previous 12 months.

Like I said, I didn’t write much but that doesn’t mean I wrote nothing at all.  I finished a number of short film scripts and put a serious dent into my latest feature script.  I also went back and rewrote some old scripts to get them ready for potential competitions.

It’s been a while since I entered a screenwriting competition and it’s time to put myself out there again.

I’ve spent the last few weeks finishing up old projects and I started writing a series of shorts I’m thinking could work well as a web series.

Now it’s time to focus more on my feature screenplays. I haven’t finished one in a while and it’s time I fixed that problem.

Era 7 will be the year of the feature screenplay.  I couldn’t be more excited.

I’ve got 3 stories I’m planning on writing this year and I’ve never been more committed to creating entertaining scripts.

My goal for Era 8 is to be able to look back on my accomplishments and be proud of the work I’ve done this coming year.

There’s a lot to do but I feel like I’m a screenwriter again.

When it comes to being passionate about something, it doesn’t get any better than screenwriting for me.

Bring on Era 7.

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The Athletic Nerd Screenwriting Blog

First, I wrote a short screenplay called The Climb.

Next, I corrected a billion spelling mistakes and called it a day.

Years later when we decided to make the movie, I engaged in a series of rewrites.

After a few months of pre-production, I improved it even further.

This week, we had our first cast read through and rehearsal.

It was time to tweak the script.

The moral of the story? It got better every time!

You really do have to be open to changes and let the script evolve on it’s own. Version 5.1 of The Climb is easily the best and most polished to date.

Here’s why…

Listening and observing actors perform gives you a lot of information you may not have considered when writing the script.

Lines that sound fantastic on the page may not translate well in real life.

This process will bring some much needed changes to light and in the case of The Climb, the changes were welcome.

The beauty of rehearsing with actors lies in the conversations you have throughout.  Everyone involved had comments, questions and suggestions dealing with everything from dialogue to motivation.

What’s amazing to me is most of the tweaks made sense.  It had me thinking:

“Why didn’t I think of that before?”

To me it doesn’t matter as long as I feel like I’ve done everything I can before the cameras roll.

That and there is no better feeling than implementing a new idea that makes a screenplay better.   It’s never too late to eliminate a line that isn’t working or change words here and there.

The Athletic Nerd Screenwriting

Tweaks are not to be feared.

They are absolutely vital to creating a shooting draft that you and everyone involved will believe in.

The more I refine the script, the happier I am because it keeps getting better.  To a certain extent, it scares me a little bit when I think about the changes I may realize once it’s too late and we’ve wrapped.

To quote athletes everywhere…

“You have to leave it on the court.”

The same rule applies to the ice, the field, the movie set and even the cutting room floor.

What I mean by that, is that I feel confident knowing I worked as hard as possible because there is a point when you have to let go.

For me that won’t happen until I yell cut on the final take.

In short…  I like rewrites.

They are a crucial part of the filmmaking process.

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The Athletic Nerd Screenwriting Blog

I write because it’s fun.

Finishing a screenplay is pretty much outstanding and I’ll always love telling stories.

I’ve been a screenwriter since high school yet I’ve always dealt with a nagging phobia that I just couldn’t seem to get over…

I was terrified to show people my work.

My trusted inner circle of friends and family were sent copies of my scripts but I usually ended the distribution there.  When I was younger, I just couldn’t wrap my head around people reading something I wrote.

Anybody else with me on this?

Now, I’m not afraid of receiving criticism.  For many, that’s the number 1 reason why work remains unread collecting dust in a closet.  I welcome any and all opinions of my writing.  I just can’t get passed the idea that someone is reading my scripts.

What does American Idol have to do with this?

You can look at this a number of ways, perhaps I wasn’t afraid of criticism back then because I knew my inner circle would never really tell me I was a terrible screenwriter.  Or it could be that I just wasn’t ready to put myself out there.  It’s a struggle because you’ll never know if you’ve got what it takes until you put yourself out there.

It’s like the awful singers on American Idol. (The real ones, not the fakes who just want 2 minutes of fame.)  These people are built up by their families and friends.  Constantly encouraged to follow their dreams.  They truly believe they are the next idol.  I believe they should believe in themselves yet it crushes me every time Simon and crew rip them apart.

When you’re passionate about something, you work so hard to achieve success and hitting a wall like that must be the most devastating feeling in the world.

This is my greatest fear as an aspiring filmmaker.

Getting over it.

However, I’ve learned over the last few years to work around my fears.  There is a line between having a dream and going for it.  At some point, you have to make the decision to move forward and break through the walls in front of you.

Starting 17 West Productions was a way of forcing myself to show people my screenplays.  The theory is simple:

If you want to write and produce movies, you have to let people read the script!

After we created a few short films, I started to gain some confidence in my abilities.

Then I entered the original draft of The Climb into a competition and came 4th out of over 1200 scripts.  It was the first time I was ever judged by people outside my precious circle.

Click here to see the results of that contest.

Click to read: Is My Screenplay Ready For Competitions

I think these tiny victories are important.  By no means did I expect to fire off a feature and win Final Draft’s Big Break contest or something similar.  I’ve always believed that would have been discouraging.  Many people have dreams of making it big and rocking the cover of Variety as someone who burst onto the scene.  I have the same dream but I’ve always been extremely critical of my writing and so I decided not to go for the big splash.

Playing Through was another leap forward for me.  During the auditions, I was terrified of listening to people perform my words.  It was baffling that people were nervous to read in front of me.  I wanted to tell everyone of them that I was just as scared.  It was an eye opening experience because many worked so hard to nail their performances.  After the first few auditions, I began to really enjoy listening to the lines being read by passionate actors.

To me, if you aren’t passionate and completely dedicated to the project, there is no point working on it.  Beyond that, you have to surround yourself with equally committed artists.

Working within an enthusiastic environment is an inspiring way to work.

I got over it.

It was that spirit that finally broke my fear of showing people my scripts.

I still beat myself over the head with endless rewrites before I show anyone but eventually it gets out there.

There are so many dusty scripts in my closet.  I should have gotten over it long ago.

PS: If you’re thinking I may dust the old scripts off and send them out into the world you are mistaken.  Those old scripts are terrible.  We all started somewhere right?  I’ll leave it at that.

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