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The Screenwriter's Window Stare | Screenwriting Blog

SOMETIMES A SCENIC PAUSE IS ALL YOU NEED

While working on my new screenplay, I found myself writing a scene that was working but it wasn’t quite… there.  It was interesting but it was missing something.  Ironically, that also happens to be the same criticism that makes screenwriters cringe.

“It’s missing…  Something…  I don’t know what it is but…  I don’t know just…  Something.”

It’s easy to probe the reader for more on what might be missing but when you feel that way it’s tough.  You have to discover the answers on your own.  I found my answer looking out the windows next to my desk.

I’m fortunate enough to live in an apartment with a fairly fantastic view.  It’s not spectacular by any means but it’s gorgeous compared to the garbage cans I stared in my previous home.  The main living area has wall to wall windows that overlook a highway that winds over and around a huge park.

I wheeled my chair over to the window and stared, thinking about the scene and the missing piece that eluded me…  Staring out the windows was peaceful and calm.  As time passed, I just worked it out in my head.

I found the answer in the way the scene began or more specifically, the transition between my new scene and the previous sequence.  I came up with a better way to make the transition more seamless.  It forced me to start the new scene later.  (Which is almost always a good thing.)  It made the scene more exciting and within an instant, everything clicked.  It felt write.  Finding the missing piece simply required a perfect mixture of calmness, creativity and a good view.

There are always pauses when you’re writing a screenplay.  Whether you are trying to come up with the perfect line of dialogue or a describing a difficult action sequence, there are always ponder moments.   Moments when you challenge your imagination to come up with that something that’s missing.  Something that clicks.  Something better.

Some days, the answers come easy.  For the days they don’t, I’m happy I have my window.  The answers are usually out there somewhere.

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Screenwriting: Introducing Too Many Characters Too Quickly

WHO ARE THESE PEOPLE?

I’m just about finished the first act of a new feature length screenplay I’ve been developing for the last few months.  Before I began the second act, I wanted to take a few days and really analyze what I’ve got so far and the overall tone I’ve set for the script.

  • Is it entertaining?
  • Does it move quickly?
  • Are there any slow  or boring sequences?
  • Which characters work?
  • Which do not work?
  • Is the dialogue interesting?
  • Does each moment contribute to the story?

These questions brought up something that concerns me:

DID I INTRODUCE TOO MANY CHARACTERS?

The first 10 pages of a screenplay are vital to gain the readers interest and too many characters can make things confusing in a hurry.  How many is too many?  Does it matter as long as you’ve spread things out?

The first 10 pages of my new project introduces 17 characters.  (That number includes minor roles etc…) The way I see it, if I can make these 10 pages work, if I can establish these characters, I’m in good shape moving forward.  The issue here is the techniques used to introduce my characters.  It brings up new questions:

READ LIKE A READER NOT A WRITER

  • Is this story easy to follow?
  • Do I remember names?
  • Do some characters stick more than others?
  • Is it overwhelming?
  • Can some characters be held back?
  • Is…  It…  Entertaining?

XTRA | Be Honest…  Is Your Screenplay Entertaining?

I’ve been racking my brains trying to figure out ways to make my first 10 pages better…   In this case, my story begins at a funeral and we meet several people who are vital to the story.  Little by little, the funeral unfolds and more important characters are added in.

After a few hours of work, I think I’ve integrated these characters rather efficiently as each one moves the story forward.  However, the biggest change came when I merged two characters into one.  The result is a simpler script and a much better character overall.

IF IT SUITES THE STORY.  MAKE IT WORK.

At the end of the day, if it works it works.  I don’t think anyone will complain about too many characters if it’s easy to follow and the characters are memorable.  It’s also important to remember that it is the first 10 pages and you don’t have to introduce EVERYONE at the same time.

The minor changes I made had positive ripple effects throughout the first act and now I feel as confident as every moving forward with act 2.

Here are a couple links I found on the web on the topic of introducing new characters:

How To Introduce A Character

Most Common Mistakes Series: The Dangers of Character Overload

Screenwriting Structure Series Part 10: Your First Ten Pages & The Ordinary World

Screenwriting Mistake #45: Introducing Too Many Characters

The Basics of Introducing A Character

And here is Robert Mckee’s take on introducing new characters:

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My Loyal & Awesome Screenwriting Partner

MEET MYLO!

Mylo is a 4 year old shih tzu and one of the most laid back dogs I’ve ever met…  I suppose ‘laid back’ is a fancy word for lazy sometimes but that’s part of his charm.  He enjoys sox, pizza crusts and his stuffed tiger Chester.

My Loyal & Awesome Screenwriting Partner

Little Mylo has a very strict routine in the morning.  We both get out of bed around 9 and head out to the living room.  I usually turn on the computer and Mylo heads straight for his ‘living room bed’ to sleep.

About an hour later he’ll get up, stretch, eat a little and take his place on the window sill.  We are over 30 stories above the ground so he just looks at the water most of the time.

My Loyal & Awesome Screenwriting Partner

After our morning walk and some food, I get started on whatever project I want to tackle that day.  Sometimes it’s a new blog post or a Photoshop project.  But something funny happens to Mylo when I sit down to write screenplays.

This is the exact look I get when I’m about to start writing.  He stares.   He sniffs and he moves around my chair until I pick him up.  He doesn’t stop.

“Ahem…  We both know I’m not going anywhere so pick me up and let’s get going.”

Once he’s on my lap he immediately lays down.  To be honest, I think he just likes laying there because he knows I’ll be sitting still for a while.  It’s been like this for years.  Just about every page I’ve written has been with Mylo resting on my lap looking up at me every once in a while.

Most recently, I’ve been working on a fairly emotional and personal screenplay.  I tend to get upset while I’m writing it and constantly speak dialogue out loud.  We all know dogs are perceptive and when I’m genuinely angry about a scene, (or the inspiration behind it) Mylo does everything he can to try and cheer me up.  He sits up and climbs as high as he can.   He looks me right in the eyes wiggling his tail back and forth.

“You’re upset.  What can I do?  How’s the scene shaping up?”

In this way, he’s become my emotional barometer.  If he sits up, I know what I’m writing is truly honest.  Little Mylo sitting on my lap when I write is part of my comfort zone now.  I find it amazing that he only wants to sit on my lap when I write screenplays.  How does he know?!

I love that dog.

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The Athletic Nerd Screenwriting Blog

FJCKSAHSDVKJHASFVJNEF….
A PAIN WE HAVE ALL FELT AT ONE TIME OR ANOTHER

If you’re a screenwriter, you’ve no doubt found yourself staring at a blank screen with frustration boiling over in your mind. You’re stuck… We’ve all been there.  It’s a feeling we all work tirelessly to avoid.

Stop me if you haven’t experienced this before: It’s late… All you want is progress and so you start a pivotal scene but something is wrong. It’s not working. You can’t put your finger on it but you don’t like the direction the scene is heading. So you start over and before long it happens again. What you wrote doesn’t seem right. It doesn’t fit.

You take a deep breath and start again only this time the screen is blank…  And it stays blank…  You’re stuck. You type half of a sentence but quickly delete it. You try writing dialogue but lines don’t seem to connect to each other.

At this point, you take a look at the clock and note the time. It’s later than you think. You feel like sleeping and starting fresh might help but you can’t get the scene out of your head. If you could just figure out a place to begin the pieces will eventually fall into place. All you need is an idea. You give yourself a moment to regroup…

You take a deep breath and start again but the words just aren’t there. The pressure mounts and you feel lost…

FHOAEHASKFHSAOURFH…

I think it’s important to note the difference between lost and hopeless. There is a big gap between being stuck and reaching a dead end.

THERE IS HOPE!

Moments of frustration are unavoidable but they are NOT impossible to overcome. That’s why writers thrive on cracking the tough scenes.  It’s a sense of accomplishment we work tirelessly to achieve.   We are all problem solvers after all. So take a step back and really think about the scene and the story you want to tell.

Are you an outliner? Do you have index cards? Is there a detailed treatment you can refer to?

XTRA | What’s an OUTMENT?

  • Go back and read your notes.
  • Write new notes.
  • Tackle a different scene.
  • Rewrite the scene before it.
  • Rewrite the scene that follows it.
  • Write something else entirely to get kick start your imagination.
  • Take a break.
  • Have a snack.
  • Brain storm new directions for the scene.
  • Isolate what’s bothering you and discard it.
  • HAVE FUN WITH IT!

One strategy I employ is to keep writing if I don’t like the results. Even if the scene is full of cliches and moments I wanted to avoid, I keep writing. Sometimes it’s easier just to get it out. That way, you can take a step back and really analyze what works and what doesn’t.

  • Change the location.
  • Put the scene in a different place.
  • Try eliminating the scene completely.

At the end of the day, if a scene is giving you that much trouble, it may not have a place in your movie… Having said that, some scenes HAVE to be in the movie so you have to work harder.

  • Challenge yourself.
  • Don’t let a frustrating moment snap you out of the zone.
  • Try again.
  • The pressure makes solving the problem all the more satisfying.
  • Persevere.
  • Evolve.
  • Write!

Above all else do not stop trying until it works. I guarantee you’ll sleep a lot better knowing you cleared the road block and cracked the scene.

Every screenwriter has to be a skilled problem solver so don’t stay frustrated too long. It’s a challenge.  Kick the crap out of it.  You have to take everything into consideration and do what’s best for YOUR story. This is your passion so don’t let FHADLFFHSOJHDS beat you tonight. Who cares if it’s late. You’re a screenwriter and you’re passionate about movies and the skillfully crafted blue print behind them.

Get back to work!

NOTE: I’d like to mention that this post was written just after I found myself stuck recently. As I wrote the post I came up with a better way to write the scene.

My final tip for overcoming writer’s block and FHADLFFHSOJHDS moments? Write a blog or keep a journal. It’s one of the best ways to get your mind working in a pressure free environment.

A creative way to inspire creativity.

The Athletic Nerd Screenwriting Blog

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Short Screenplays: Making Them Up As You Go Along | Screenwriting Blog

I came up with a concept for a short film one morning last week.  It wasn’t spectacular or ground breaking by any means but it scared me and even made me laugh a little bit.  The premise was based on an event that happened to me a few weeks ago and I simply wanted to play with the idea of making it a movie.

Normally, I develop idea, write outlines followed by a first draft.  For this project I decided to skip all the development work and take my concept right into page one.  I had no scene ideas, no characters and no real approach yet I began anyways.

I just wanted to make it up as I went along.  Pressure free.  That’s exactly what I did.  I just started writing and little by little a story emerged.  After I reached the third page I created a twist that required a page one rewrite…

So I began editing as I went along too.  Changing details and adding crucial elements I just made up.  Slowly the story began to take shape and my poor main character was going through hell on a stormy night.  (It wasn’t a stormy night at first.  I made that up on page 4.)

It’s a nice change to simply sit down and write a story based on a tiny idea.  I honestly think it’s been years.  It’s like I had become accustomed to writing only when I had planned most of the story out.  Either that or I was afraid to begin without developing first.

This new short film was a nice change.  An afternoon experiment that led to a nice little 6 page screenplay.  A horror story based entirely in one location with 2 main characters and a lot of creepy moments.  Who knows if it will ever become a short film.  For now, it will join the other shorts in my file.  Another script completed.  A fun afternoon.

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